Submitted:
26 February 2026
Posted:
27 February 2026
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Abstract
Keywords:
1. Introduction
2. The Homeric Question
3. Methodology
3.1. Manual Clustering
- Become familiar with a certain copy of the Iliad through reading and lookup.
- Identify characteristics (simple concepts, patterns, or relations) that reoccur.
- Memorize the context, book, and layout locations of these characteristics.17
- List clusters of characteristics that often co-occur in the same passages.
- Reduce advanced clusters, relations, and patterns to a single characteristic.
- Start with a small cluster and expand the list later.
- Make lists of passages that belong to the same cluster.
3.2. Statistically Investigating a Cluster
4. The Three Clusters
4.1. The Mycenaean Cluster
φεῦγον (1, 19) ἔπειτ᾽ ἀπάνευθε (24) δι᾽ Ἑλλάδος (13) εὐρυχόροιο (15),20Φθίην (13) δ᾽ ἐξικόμην (24, 44) ἐριβώλακα (15) μητέρα (15) μήλων (31)ἐς Πηλῆα (13, 20) ἄναχθ᾽: ὃ δέ με πρόφρων (30) ὑπέδεκτο (34),καί μ᾽ ἐφίλησ᾽ (30) ὡς εἴ τε πατὴρ (30) ὃν παῖδα (30) φιλήσῃ (30)μοῦνον τηλύγετον (5, 30) πολλοῖσιν ἐπὶ κτεάτεσσι (23, 30, 34),καί μ᾽ ἀφνειὸν (23) ἔθηκε (5, 26), πολὺν δέ μοι ὤπασε (5, 26) λαόν (3):ναῖον (44) δ᾽ ἐσχατιὴν (44) Φθίης (13) Δολόπεσσιν (13) ἀνάσσων (3).
4.2. The Aeolian Cluster
καὶ τότ᾽ Ἀπόλλωνα (41) προσέφη νεφεληγερέτα Ζεύς (33, 42):22‘εἰ δ᾽ ἄγε νῦν φίλε Φοῖβε (41), κελαινεφὲς αἷμα (38) κάθηρον (28)ἐλθὼν ἐκ βελέων Σαρπηδόνα (4, 18), καί μιν ἔπειταπολλὸν ἀπὸ πρὸ φέρων (28) λοῦσον (28) ποταμοῖο (11, 25, 28) ῥοῇσιχρῖσόν (28) τ᾽ ἀμβροσίῃ, περὶ δ᾽ ἄμβροτα εἵματα ἕσσον (28):
4.3. The Ionian Cluster
ὣς τότε μὲν πρόπαν ἦμαρ (I98) ἐς ἠέλιον καταδύντα (98)23δαίνυντ᾽ (37, 38), οὐδέ τι θυμὸς ἐδεύετο δαιτὸς (38) ἐΐσης (9),οὐ μὲν φόρμιγγος (12, 28, 32) περικαλλέος (2, 5) ἣν ἔχ᾽ Ἀπόλλων (12, 32),Μουσάων (32) θ᾽ αἳ ἄειδον (28) ἀμειβόμεναι (28) ὀπὶ καλῇ (17, 37).αὐτὰρ ἐπεὶ κατέδυ (98) λαμπρὸν (46) φάος (46) ἠελίοιο,οἳ μὲν κακκείοντες ἔβαν οἶκον (4, 25, 64) δὲ ἕκαστος,ἧχι ἑκάστῳ δῶμα (4) περικλυτὸς (22) ἀμφιγυήεις (22, 39)Ἥφαιστος (84) ποίησεν (2) ἰδυίῃσι (46) πραπίδεσσι (46):Ζεὺς δὲ πρὸς ὃν λέχος (9, 24, 25) ἤϊ᾽ Ὀλύμπιος (7, 22) ἀστεροπητής (7, 22),ἔνθα πάρος κοιμᾶθ᾽ (98) ὅτε μιν γλυκὺς (5, 17) ὕπνος ἱκάνοι (7, 9, 39):ἔνθα καθεῦδ᾽ ἀναβάς (9, 67), παρὰ (64) δὲ χρυσόθρονος (24, 41) Ἥρη (9, 67).
5. Statistical Analysis
6. Discussion: Underlying Hypothesis
7. Conclusions
Supplementary Materials
Funding
Data Availability Statement
Acknowledgments
Conflicts of Interest
| 1 | The concept of (translatable) oral characteristic is not typically used in Homeric research, as the focus is usually on characteristics that require thorough engagement with the Homeric Greek original. The clustering effort described in this paper thoroughly engaged with translations of the Iliad, without neglecting the original in cases of doubt. |
| 2 | Not all characteristics are detailed. However, when several generic characteristics occur together, they can be considered to make up a detailed characteristic as a group. |
| 3 | The three clusters are described in Blondé 2018, 2020, and 2022. A fourth and a fifth cluster, probably with a non-Greek European origin, are more controversial and seem to reflect two alternating roles: a war and a narrative role (Blondé 2019 and 2021). As such, they are beyond the scope of this paper. Given that the clusters and their reconstructive characteristics are published, and in order to avoid bias, they have been left unaltered during analysis and presentation in this paper. |
| 4 | This dataset is derived from https://doi.org/10.5281/zenodo.17838991: the larger Homeric Traditions Apparatus (Version v1) that is in turn derived from Blondé (2018-2022). |
| 5 | There are many variants of the Iliad and the Odyssey. Many of the differing details are probably the result of errors that crept in during the transmission history of these works. Although such differences are small, Nagy (1996) 29 proposes that they are the result of an evolutionary text-fixation of the Homeric works, in which a fluid phase, with improvisation, was succeeded by a more static phase that involved written texts and memorization. |
| 6 | Griffin (2004) 4. |
| 7 | Wolf (1795), republished in Wolf (1985) 70. |
| 8 | Prominent Analysts include Hermann (1832), Lachmann (1847), von Wilamowitz-Moellendorff (1916), and Merkelbach (1951). Although West (2011) believed a single poet (“P”) was responsible for the Iliad, he used many of the ideas of the Analysts. Prominent Unitarians include Nitzsch (1830), Schadewaldt (1938), and Bowra (1958). |
| 9 | Prominent Oralists include Parry (1971), Lord (1960), and Ready (2019). |
| 10 | Kakridis (1949); Finkelberg (2011) 197 argued that the Iliad and the Odyssey had a unique position among ancient Greek epic texts, although not necessarily in a written form. |
| 11 | Powell (1996). |
| 12 | Burkert (1992); West (1997). |
| 13 | Adrados (1981) 13–17; Patzer (1996) 23–86. |
| 14 | Ghesquiere (1989). |
| 15 | In spite of this, many have argued that dialectic features are not (or not entirely) context independent in the history of Homeric scholarship. Analysts and later scholars claim to see traces of an earlier Aeolic phase of the epic (Janko 1982, West 2011) and Bozzone (2024) points out that dialectic characteristics may be adopted and/or retained because of their socio-linguistic value. |
| 16 | Päpcke et al. (2023); Pavlopoulos and Konstantinidou (2023); Sandell (2023). |
| 17 | Fast lookup is indispensable during this endeavor, as simply writing down references ultimately results in an expanded copy of the entire text. This is why the text itself has to be the device where lookup happens fastest. |
| 18 | Kateri (2014). |
| 19 | All references, English translations, and statistics are from Lattimore (2011), who translated the Greek edition of Monro and Allen (1920), because Lattimore translated all 15691 lines to which he gave a number. There are two differences of one line number between these two editions: between 11.543 and the end of Book 11 (11.847) and between 18.604 and the end of Book 18 (18.616). A comparison with West’s (1998–2000) more modern edition of the Iliad was also conducted; however, many of the lines that West rejected appear to fit well in the cluster of their context, which could mean that West rejected too many lines. |
| 20 | Digressions (M1), kings (M3), the change of power (M5), the many places and personal names (M13), riches of the soil, typical of a place or city (M15), the flight after a crime (M19), Herakles, Tydeus, Neleus, Peleus, or Nestor (M20), being rich (and honorable) (M23), long wanderings (M24), the reward of the king (M26), the special education (M30), large herds of cattle, horses, or sheep (M31), the loving education or adoption in a palace (M34), and the move to a distant place (M44). |
| 21 | The proper names themselves are part of the long description of A4 (Blondé 2020). |
| 22 | Proper names specific to the Aeolian cluster (A4), rivers (A11), the Lykians (A18), immersing a body in a river or the sea (A25), taking care of the dead and wounded (A28), the gods who interfere, divided over two camps (A33), corpses that are often mutilated (A38), Apollo, Poseidon, and sometimes Artemis (A41), and the supreme command of Zeus (A42). |
| 23 | The materialism (I2), the house of nobles, servants, shepherds, heralds, and bards (I4), the system of epithets specific to the Ionian Tradition (I5), verbosity, or using many words to say the same thing (I7), type-scenes that repeat almost literally (I9), bards (I12), emotional, lovely, and poetic scenes (I17), double epithets (I22), footstools, seats, and ornate furniture (I24), the facilities of Olympus (I25), singing, dance, and the lyre (I28), Muses and Apollo with the lyre (I32), peacefulness (I37), feasts and the preparation of meals (I38), descriptive clauses (I39), precious metals (I41), the duo of related terms (I46), the interior design and the positions of furniture and people (I64), spreading beds and sleeping in the back next to a woman (I67), the lame Hephaestus, god of blacksmithing (I84), and the alternation of day and night (I98). |
| 24 | Own translation. |
| 25 | Finley (2002). |
| 26 | All the characteristics of the three clusters are positive in the sense that they occur more (rather than less) often in the passages of their cluster. This means that one-tailed (right-tailed) tests could be used, which would result in greater significance. Nevertheless, in order to avoid any bias, the standard two-tailed tests were used for calculating the p-values. |
| 27 | Goodness-of-fit tests (D’Agostino 2017) were also conducted for passages annotated with characteristics, and these tests suggested good significance. However, they required too much explanation with respect to how partially dependent occurrences should be treated and how to objectively acquire triangulated estimates for them. |
| 28 | Franke and Christie (2012); Connelly (2016). The R script used is in the analysis sheet of the Supplementary Dataset for Cluster Analysis. |
| 29 | The corresponding reconstructive (super)characteristics in the list of 216 are proper names specific to the Aeolian cluster (A4), Heracles (A10), the name Xanthus (A17), the Lycians (A18), Paris and Pandarus (A34), Apollo, Poseidon, and sometimes Artemis (A41), a god who envelops a person in a cloud (A45), three times the same action (A46), materialism (I2), footstools, seats, and ornate furniture (I24), singing, dance, and the lyre (I28), olive trees and olive oil (I33), precious metals (I41), the whip and unreluctantly trotting horses (I65), the age of an untamed head of cattle (I70), the numbers nine and twelve (and ten and eleven) (I79), wine (for libation or drinking) (I101), seven-gated Thebes (M4), being rich (and honorable) (M23), superlatives, as in ‘the bravest of all mortals’ (M36), the old age of a man (M41), and the numbers nine and twelve (M56). |
| 30 | The first 12 books contain 7588 lines, of which 1070 are Mycenaean. |
| 31 | A somewhat more speculative hypothesis for the observed mixture is that the Iliad has always been an epic that was performed through alternating improvisation by two or more bards with different roles, namely by adding extra roles to the European war and narrative roles (Blondé 2022). |
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| Title 1 | Apollo | No Apollo | Row total |
|---|---|---|---|
| Aeolian | 57 | 2660 | 2717 |
| Not Aeolian | 84 | 12890 | 12974 |
| Column total | 141 | 15550 | 15691 |
| ID | Source-specific (sub)characteristic | Cluster | In | Out | p-value |
|---|---|---|---|---|---|
| I2 | Beautiful (kalos) | Ionian | 67 | 79 | 0.0000004 |
| A41 | Apollo (Apollon, Phoibos) | Aeolian | 57 | 84 | 0.00000000008 |
| I41 | Gold (chrys-) | Ionian | 69 | 41 | 0.000000000000002 |
| M36 | Superlatives | Mycenaean | 25 | 29 | 0.00000002 |
| A46 | Three (treis, tris) | Aeolian | 19 | 34 | 0.002 |
| I24 | Furniture (lechos, thronos, …) | Ionian | 29 | 20 | 0.000002 |
| I101 | Wine (oinos) | Ionian | 19 | 22 | 0.007 |
| I65 | Whip (mastix, mastizo) | Ionian | 14 | 13 | 0.007 |
| A45 | God using mist (aer) | Aeolian | 11 | 15 | 0.001 |
| M41 | Newly introduced old man | Mycenaean | 10 | 14 | 0.00005 |
| A18 | Lycia (Lykia) | Aeolian | 19 | 3 | 0.000000000003 |
| A17 | Xanthus (Xanthos) | Aeolian | 14 | 8 | 0.000002 |
| I79 | Nine (ennea) | Ionian | 11 | 10 | 0.02 |
| M56 | Nine (ennea) | Mycenaean | 5 | 16 | 0.06 |
| A10 | Heracles (Herakl-, Dios huios) | Aeolian | 9 | 8 | 0.0009 |
| A34 | Pandarus (Pandar-, Lykaon) | Aeolian | 9 | 7 | 0.0005 |
| M23 | Rich (aphneios) | Mycenaean | 10 | 4 | 0.00000007 |
| I33 | Olive (elai-) | Ionian | 7 | 3 | 0.005 |
| M4 | Thebes (Thebe, Thebai) | Mycenaean | 8 | 1 | 0.00000008 |
| I28 | Lyre (phorminx, kitharis) | Ionian | 6 | 2 | 0.006 |
| I70 | Age cattle (henis, hexetes, …) | Ionian | 6 | 2 | 0.006 |
| A4 | Pergamos (Pergamos) | Aeolian | 3 | 3 | 0.07 |
| ID | Reconstructive characteristic | Cluster | In | Out | p-value |
|---|---|---|---|---|---|
| M41 | Old man (ger-) | Mycenaean | 23 | 131 | 0.06 |
| A18 | Lycian (Lykios) | Aeolian | 10 | 38 | 0.7 |
| A46 | Three times an action | Aeolian | 9 | 15 | 0.03 |
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