2.2. System Components and Modeling
The in-vehicle audio system comprises multiple components forming a complex structure. Key components include a signal generator, an audio analyzer, BNC connectors, a speaker, and a vehicle multimedia system. The transmission of signals starts with the input sound from the signal generator, traveling through BNC connectors to the audio analyzer, and then to the speaker. Ultimately, the sound waves produced by the speaker are delivered to users via the in-vehicle multimedia system. These components are critical not only for the in-vehicle audio quality but also directly influence the auditory experience of drivers and passengers. The final output obtained in the vehicle audio system is the result of multiplying the frequency responses of the system components with each other.Therefore, the frequency response of each component is among the critical factors directly impacting system performance. The system diagram is shown in
Figure 2. Subsequent sections will address the modeling of each component in terms of frequency response and examine the interactions between these responses.
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A)
Input Sound
White noise is frequently preferred in the calibration processes of sound systems because it has equal sound intensity in a wide frequency range such as 20 Hz - 20 kHz. This feature allows for objective testing of the system’s frequency response throughout the entire frequency band, thus enabling a comprehensive analysis of system performance. Particularly in acoustic arrangements of sound systems and rooms, this broad-spectrum sound source is utilized to assess system performance and make necessary adjustments. Consequently, the responses of sound systems at various frequencies can be objectively measured and optimized.
A similar application is found in in-vehicle sound systems. Thanks to its balanced and comprehensive frequency spectrum, white noise provides an ideal test signal for accurately detecting the frequency response of sound systems across a wide frequency range. A significant advantage is that during in-vehicle acoustic adjustments using white noise signals, it is possible to interactively examine and adjust the effects of applied filters across all frequencies [
6].
Acoustic analyzers use frequency weighting curves to simulate the human ear’s sensitivity to different frequencies. The A, B, and C weighting scales, displayed in
Figure 3, represent various frequency response filters employed in sound measurements. The process of weighting adjusts the measured decibel (dB) values of sounds at specific frequencies to match the sensitivity levels perceived by the human ear at those frequencies. Given the human ear’s lower sensitivity to low frequencies and higher sensitivity to high frequencies, these weighting curves are essential for accurately reflecting perceived sound intensity. By aligning measured sound levels more closely with the natural response of the human ear, these curves enhance the effective assessment of sound’s true impact. Therefore, weighting filters are applied to the white noise signal used as the input sound.
A-weighting primarily represents the sensitivity of the human ear to ambient noise measurements at low sound levels. This scale is more sensitive between frequencies of 500 Hz to 10 kHz, while it reduces sounds at lower and higher frequencies, making it ideal for everyday environmental sound measurements. B-weighting is designed for medium to high sound levels (70 to 80 phon) and slightly emphasizes sounds across the frequency range, making it useful in environments like cinema and music production. C-weighting is used at high sound levels and provides a flatter response across a wide frequency range, measuring low and high-frequency sounds at nearly their original levels. This accuracy is especially required in industrial settings and at concerts [
11].
B-weighting is designed to better reflect the sensitivity of the human ear at medium to high sound levels. In setting vehicle sound systems, it is necessary to regulate the system based on the mid to upper sound levels, hence the use of B-weighting shown in
Figure 3, which presents the frequency response from 20 Hz to 20 kHz. In this context, our study is based on the equal-loudness contour at 1000 Hz with an amplitude level of 80 dB as shown in
Figure 1. After applying the B-weighting process to the white noise signal, it has been used as the input sound in our study. The frequency response of this input sound is depicted in
Figure 4.
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A)
Parametric Equalizer Filters
The parametric equalizer filter is a commonly used tool in audio processing and music production and has become a standard component in automotive multimedia systems. This filter adjusts the audio signal by targeting specific frequency ranges, thereby facilitating the adjustment of the sound’s tonal balance. The parametric equalizer is adjusted based on three primary parameters: center frequency (f0), bandwidth (or Q factor), and gain (G). The gain modifies the intensity of the sound signal by increasing or decreasing the amplitude within the selected frequency band. The bandwidth determines the range of frequencies where the filter is effective and is usually expressed in octaves. The Q factor is defined as the inverse of the ratio of the bandwidth to the center frequency and indicates the sharpness of the filter. A high Q factor means a narrower bandwidth and a sharper filter response. These parameters allow users to finely tune how narrowly or broadly they want to affect a specific frequency, thereby precisely achieving the desired sound characteristics.
The parametric equalizer is a crucial tool in audio processing, primarily incorporating various filter types such as peaking (bell), shelving, and notch filters. In vehicle multimedia systems, the peaking filter is particularly favored. This filter facilitates the adjustment of in-vehicle sound systems in accordance with the principle of equal loudness through its advantages such as frequency adjustment flexibility, tone control, and focused frequency intervention. The peaking filter is designed to either emphasize or attenuate signals within a specific frequency band and plays a critical role in sound processing and equalization [
12].
The mathematical model of the peaking filter is represented by a transfer function
H(
f) that describes its effect on the frequency domain of the signal. This transfer function defines the relationship between the input and output of the signal as a function of frequency and is commonly formulated as Equation (1).
Here,
f represents the frequency under study,
f0 is the center frequency (the frequency to be emphasized or attenuated),
G denotes the gain (in amplitude level, measured in dB), and
Q represents the quality factor (which inversely defines the bandwidth of the filter) [
5].
According to the principle of equal loudness, precise regulation of different frequency bands is necessary. Therefore, multiple parametric equalizer filters are generally used. The ISO 226:2003 standard defines the characteristics of parametric filters required to achieve an ideal equal loudness contour. In accordance with this standard, ten parametric filters are adjusted at specified frequencies, with corresponding gain and Q factor values, designed to provide optimal sound correction. Each of these filters is set according to the frequency, gain, and Q factor values detailed in
Table 1.
In this study, ten parametric equalizer filters have been utilized to ensure an ideal sound experience in vehicle multimedia systems. A filter order of 12 was chosen, which is aligned with the order of existing filters in in-vehicle multimedia sound systems. The filters were created using the fdesign.parameq function available in the DSP System Toolbox library of Matlab R2021b software. This function allows users to design a parametric equalizer filter with specified parameters.
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C)
Amplifier
Amplifiers serve as fundamental power-boosting devices in sound systems. In vehicle multimedia systems, amplifiers increase the amplitude of the received audio signal, enabling speakers to produce sound at higher volumes and with higher quality. This improves the signal-to-noise ratio (SNR), enhancing the clarity and detail of the sound while minimizing distortions.
In vehicle entertainment systems, Class-D amplifiers are particularly preferred. These amplifiers are advantageous due to their high energy efficiency and quality sound output. Class-D amplifiers process audio signals in digital format, amplifying them directly without converting them back to analog signals. This process allows them to achieve high sound levels with less energy consumption compared to traditional analog amplifiers. Additionally, these amplifiers provide a balanced and consistent response across a wide frequency range, making them ideal for music and sound effects [
13]. In this study, an amplifier suitable for 4-ohm speakers was selected.
Figure 5 details the frequency response of the chosen amplifier at 4 ohms.
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D)
Speaker
Speakers function as the final output component of sound systems; they convert filtered and amplified audio signals into physical sound waves and deliver them to listeners.
The types of speakers used in vehicle sound systems are specially designed to provide optimal performance across different frequency ranges. Essentially, these speakers are categorized into four main types to cover low, mid, and high frequencies: subwoofer/woofer, mid-range, tweeter, and full-range speakers. Each type of speaker is optimized for a specific frequency range, and the frequency ranges of these speakers are detailed in
Table 2 [
6].
The type of speaker used in this study is the Full-Range speaker, which covers a wide frequency range.
Figure 6 shows the frequency response of the Full-Range speaker. The manufacturer states that the effective operating frequency of this speaker is between 85 Hz and 12.5 kHz. This wide frequency range indicates that the speaker can adequately produce both low-frequency bass sounds and high-frequency treble sounds. In this study, the modeling of the speaker was based on this frequency response curve.