Version 1
: Received: 8 April 2019 / Approved: 10 April 2019 / Online: 10 April 2019 (09:35:16 CEST)
How to cite:
Lenzi, C.; Speiran, S.; Grasso, C. “Let Me Take a Selfie”: Reviewing the Implications of Social Media for Public Perceptions of Wild Animals. Preprints2019, 2019040123 (doi: 10.20944/preprints201904.0123.v1).
Lenzi, C.; Speiran, S.; Grasso, C. “Let Me Take a Selfie”: Reviewing the Implications of Social Media for Public Perceptions of Wild Animals . Preprints 2019, 2019040123 (doi: 10.20944/preprints201904.0123.v1).
Cite as:
Lenzi, C.; Speiran, S.; Grasso, C. “Let Me Take a Selfie”: Reviewing the Implications of Social Media for Public Perceptions of Wild Animals. Preprints2019, 2019040123 (doi: 10.20944/preprints201904.0123.v1).
Lenzi, C.; Speiran, S.; Grasso, C. “Let Me Take a Selfie”: Reviewing the Implications of Social Media for Public Perceptions of Wild Animals . Preprints 2019, 2019040123 (doi: 10.20944/preprints201904.0123.v1).
Abstract
Social media has become a powerful tool for spreading information and awareness campaigns on environmental issues, especially as they pertain to the conservation of wild animals. It is a double-edged sword, however, since it also facilitates the legal and illegal trade of wild animal species as well as the propagation of ‘wild animal selfies.’ This review presents some key literature to date which concerns the impact of social media on public perceptions of animals (such as through ‘viral’ videos), changing trends in animal encounters at wildlife tourism destinations, and the wildlife trade as it is facilitated by social media. Finally, avenues for future research are suggested with urgency, since the impact of social media on the welfare and conservation of wild animal species is most likely underestimated yet bears serious consequences.
Subject Areas
social media; selfies; wild animals; wildlife tourism; wildlife trade
Copyright:
This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Christian Lenzi