Matriarchs and Metopism: An Analysis of the Wari Iconographic Representation of the Skull

While skeletal imagery appears across various ancient Andean traditions, the Wari Empire (c. 600–1000 CE) developed a uniquely standardized and widespread skull motif—the uma tullu—distributed throughout its former territory. Through an analysis of 63 artifacts spanning ceramic, textile, and metal media, this study identifies key diagnostic markers of the motif: the representation of the metopic suture and the application of red pigment. By cross-referencing these stylistic features with bioarchaeological data, the research posits that the uma tullu served as a central communicative device. In the absence of a formal script, this motif encoded imperial values and ancestral cult practices, facilitating ideological expansion and state identity. Ultimately, this work demonstrates how standardized iconography functioned as a system of graphic communication and ideological cohesion in the Middle Horizon Andes.