Areas that have lost their function in cities in the historical process turn into crime scenes if they are not used, posing a threat to both the heritage area and the surrounding area’s residents. In particular, the transition from the modern city to the post-modern city has brought the re-functioning of industrial structures to the agenda. The transformation of heritage sites, which are important for sustainable development, adds value to the city by providing economic, social, and ecological benefits. The responsibility of people towards the city is becoming more important in urban areas, especially in heritage areas. When we look at the issue of heritage management, these areas need to be functioned and maintained for the benefit of the public. In this context, the participation of the public in the transformation and development of urban spaces brings positive results to that city. When public participation is organized as non-governmental organizations, it is concluded in a more planned way. When non-governmental organizations are sustainable, the transformation remains sustainable.
After the Istanbul Kadikoy-Hasanpasa Gasworks was closed due to the end of the use of coal gas, it was brought to the agenda that this area would be transformed with commercial space functions, and the residents who opposed this started to work to turn this place into a public benefit for cultural purposes. A non-governmental organization called Gasworks Environmental Volunteers was established and a struggle was started for the protection of the cultural heritage gas station area and for the transformation to be carried out for the benefit of the people. The long-term efforts of Gasworks Environmental Volunteers were concluded in 2021 and Hasanpasa Gasworks was transformed into a public benefit with its culture-art-science function under the name of Museum Gasworks. Gasworks Environmental Volunteers acted with a participatory management plan after the transformation and did not leave the Gasworks and ensured the continuity of the transformation. Today, there is increasing participation from all over Istanbul in the activities that appeal to people of all ages and are held in every subject at the Museum Gasworks. Study; In the context of the efforts of the Gasworks Environmental Volunteers during and after the transformation process of the Hasanpaşa Gasworks, the importance of public participation and non-governmental organizations in the protection and transformation of the cultural heritage in the cities was tried to be explained. In the study conducted with the qualitative research method, in addition to observation and literature research, face-to-face in-depth interviews were conducted with the members of Gasworks Environmental Volunteers. The results of the meeting revealed the importance of public participation and non-governmental organizations in heritage protection and transformation in cities. The fact that the study sets an unprecedented example in heritage conservation and transformation in Turkey and the 27 years of efforts of Gasworks Environmental Volunteers and their ongoing participation reveal the importance of the study. It is hoped that the working data will be useful in future heritage preservation and transformation.
1.1. City and Society
Cities are areas that are affected by changes and developments in the social structure over time, sometimes positively and sometimes negatively. These changes and developments in cities also affect society to a great extent. This close relationship between the city and society is becoming more intense and important in terms of quality of life in today's world where technological developments are increasing rapidly. Due to the rapid growth of cities and their resemblance to each other under the name of modernization, old settlements and cultural heritage structures here are in danger of disappearing.
In the historical process, city and community interactions are seen. In the 19th century, the establishment of industrial cities due to scientific and technological advances initiated migration from the countryside to the cities. The change in the social structure due to migration from agricultural areas to industrial cities has also carried out multifaceted transformations in cities. The establishment of factories and production sites brought urbanization and modernization. After World War II, there was great destruction of the cities, Europe was rebuilt and industrialization gained momentum [2, 3]. In the last quarter of the 20th century, the changes in modes of production, the development of industry, the information age, and information developments caused changes in the social structure and reshaped the cities. As a result of these developments, industrial cities have undergone obsolescence and have evolved from production to consumption cities. Cities that have undergone functional obsolescence and industrial structures in cities have been abandoned and turned into crime scenes. This change, which changed the physical and social structure in cities, adversely affected the city and society and destroyed heritage structures. As modernization and digitalization increased, cities began to lose their vitality and old settlements began to lose their characteristics. This situation, which endangers cultural continuity, necessitates human-centered and participatory planning and design [
4].
To protect cultural heritage and improve the quality of life of the community, the reuse of heritage sites has been on the agenda, and laws and regulations have been put into practice. The adaptive reuse of these spaces, which are part of the society's sense of identity and belonging, benefits the city and society and ensures sustainability [5, 6].
1.2. Cultural Heritage and Participatory Approach
Cultural heritage is tangible and intangible values that tell the common past of the individuals of the society, strengthen the feelings of solidarity, unity, and belonging among them, and help to establish the future correctly. Cultural heritage integrates various concepts of time and serves as an indicator of these trends in time perception. It has continuity from the past. Cultural heritage has economic, social, and environmental impacts other than its historical value for sustainable development. Economically, tourism and income are obtained, and social and cultural interactions of the people take place socially, and environmentally it benefits ecologically and visually [6, 7]. In this context, inheritance should be treated as a process.
Holistic planning and a participatory approach to cultural heritage conservation and reuse will make the outcome positive and sustainable. The Council of Europe advocates for the right of access and respect for all through an integrated and interdisciplinary approach to cultural heritage [
8].
To date, statutes and conventions on inheritance protection have been made. The statutes and contracts concluded are summarized in Scheme I.
Scheme I.
and the Faro action plan was designed to translate the principles of the contract into practice; adopt a human-centered approach. It defends the right of every citizen who builds and uses heritage to own his heritage and to participate in cultural life. It puts people's values, aspirations, and needs first. According to Faro’s principles, everyone, individually or collectively, has the responsibility to respect the cultural heritage of others as much as his own. Heritage is the right of the society and the society is responsible for the inheritance. Heritage is not only a phenomenon that serves tourism. It is as local and everyday as it is universal. One of the first actions in this context is the Faro Steps, heritage walks aimed at raising public awareness through the direct experience of the place. In the Faro convention, creating, building, using, and modifying heritage is seen as an ongoing process. The emphasis on the process highlights heritage's relevance to sustainability [
8,
9].
Scheme I.
and the Faro action plan was designed to translate the principles of the contract into practice; adopt a human-centered approach. It defends the right of every citizen who builds and uses heritage to own his heritage and to participate in cultural life. It puts people's values, aspirations, and needs first. According to Faro’s principles, everyone, individually or collectively, has the responsibility to respect the cultural heritage of others as much as his own. Heritage is the right of the society and the society is responsible for the inheritance. Heritage is not only a phenomenon that serves tourism. It is as local and everyday as it is universal. One of the first actions in this context is the Faro Steps, heritage walks aimed at raising public awareness through the direct experience of the place. In the Faro convention, creating, building, using, and modifying heritage is seen as an ongoing process. The emphasis on the process highlights heritage's relevance to sustainability [
8,
9].

The main objective of the Faro convention is to strengthen social cohesion by developing a common sense of responsibility for the city in which people live. It argues that everyone has the right to benefit from cultural heritage individually or collectively and to contribute to its enrichment. It promotes the democratic participation of the public in access to and protection of cultural heritage and, in this context, the action of non-governmental organizations in the public interest. As one of the commons, non-governmental organizations that support the protection of the city and cultural heritage represent the interests of the city and its inhabitants on a legal basis [
8].
In contemporary life, sustainable urban life is only possible with non-governmental organizations. This form of governance, called multi-actor management, is a way in which society and the state establish a relationship. In this approach, principles such as citizen loyalty, making it feasible, good guidance, democracy, accountability, pluralism, and being close to the place where the service is provided come to the forefront. Governance involves the creation of partnerships between non-governmental organizations, the private sector, voluntary organizations, and all actors in the country, such as individuals, public institutions, local governments, and professional organizations. Urban management and the protection of cultural heritage is a multidisciplinary issue that requires many different disciplines to work together. One of the most effective roles of this disciplinary structure, as stated in the Faro Convention, is that of non-governmental organizations, which are the associations of citizens as a field outside of state administration [
9,
10].
In this context, the adaptive reuse of the Hasanpasa Gasworks was realized as a result of the effort and ownership of the local people, as in the Faro convention principles.
1.3. Hasanpasa Gasworks and Gasworks Environmental Volunteers
Gasworks was realized as a result of the effort and ownership of the local people, as in the Faro convention principles.
Gasworks are facilities where coal gas obtained from coal is produced and stored for use in heating and lighting. Coal gas was first obtained at the end of the 18th century by the Belgian pharmacist Jan Pieter Minckelers. Since the 1820s, it has been used in the lighting of many cities, especially London and Paris. Coal gas, which lost its lighting function with the arrival of electricity, was used as natural gas in homes for many years. Later, it completely lost its function and the production of gasworks was stopped. Istanbul-Kadikoy Hasanpasa Gasworks was built on an area of 31,560 thousand square meters in 1891 and started production. While it was a recreation area with wooden two-storied buildings around it during the period it was built, it became a region with dense construction around it during the period when it was closed (
Figure 1) [
11].
The Gasworks, which serves the Kadıköy region, was closed in 1993 after its production was terminated. The abandoned Gasworks, like other industrial buildings that lost their function, was destroyed and obsolete (
Figure 2) [
11].
After the closure of the gas station, the construction of supermarkets, residences, hospitals, and parking lots in this area was on the agenda. However, sensitive city residents and Kadıköy District Municipality have started to draw attention to the cultural heritage in this area and work on the need to protect it and use it for the benefit of the public. In 1994, a non-governmental organization called Gasworks Environmental Volunteers was established by the residents of the Hasanpasa-Kadikoy district. As a result of the works, in 1996, Hasanpasa Gasworks was taken under protection by the Cultural and Natural Heritage Protection Board numbered II. Upon this, the residents of the neighborhood came together and decided to apply a survey of all the surrounding people about what the new function of the gasworks should be and organized panels on "Urban Consciousness and Hasanpaşa Gasworks". As a result of the survey and in line with the opinions of the experts, it was decided that the gasworks should be a cultural center and green area. But it is not an official result, it is the decision of the people of the environment. A petition was launched to implement it and 8,000 signatures were reached. With these signatures, Gasworks Environmental Volunteers has started negotiations with the Chamber of Architects and Istanbul Metropolitan Municipality. In 2001, the Metropolitan Municipality approved the preliminary project prepared by the faculty members of the Department of Architecture of Istanbul Technical University for the Gasworks. From now on, the Gasworks area will be re-functioned as a socio-cultural area. However, Gasworks Environmental Volunteers think that the facility to be restored should be managed by its purpose for many years and that the people of the environment should protect the facility by participating in the management in some way. For this purpose, at the end of 2001, Gasworks Environmental Volunteers established a "participatory management model" with the support of WALD (World Academy of Local Governments). In 2002, Gasworks Environmental Volunteers, residents, WALD representatives, Kadıköy Municipality, and the architectural project team jointly developed the participatory management model. Finally, a democratic management project called "Hasanpaşa Gasworks Culture and Art Center Alternative Strategic Management Model" was prepared and published. The objectives of this management model for Gasworks can be summarized as follows; It is a different, alternative public space that has economic and social continuity, that takes into account the characteristics of the region without breaking its ties from life, where culture and social life are not only consumed, where all relevant elements participate in production processes, where areas of power are not created but will not lead to chaos, which will minimize social and cultural alienation, where we will remember the values we have forgotten. This document is important for Turkey in two respects. First; In the process of reuse, it was produced as a combination of the views of various civil parties. Second; It envisages the participation of the people in the process of application to local governments [12, 13].
In the period leading up to the transformation of the Gasworks, Gasworks Environmental Volunteers tried to keep the area alive for the use of the residents with socio-cultural activities. They have organized festivals with international participation, exhibitions, studies, and competitions for children. They organized joint activities with the universities in the vicinity. It is possible to give the following examples of these activities. From 30 September to 19 October 2008, an art festival was held by the independent alternative/art organization Trans Yapıt. In this festival, which was held in partnership with Berlin Iacht e.V., the art and culture association in Berlin, various art activities such as music, theater, acrobatics, fire shows, dance, video-cinema, and painting were carried out with the participation of the surrounding people.
On 10-11 October 2009, a festival was organized by the Gasworks Environmental Volunteers with the residents of the surrounding area, where various art activities with the theme of 'The Pleasure of Producing Together' would take place. The festivals held in different years until the transformation took place were important for the people of the surrounding area and the gasworks [
14].
In 2012, for the preparation of architectural and engineering application projects of the Gasworks preliminary projects approved in 2001, the "Kadikoy, Hasanpasa Gasworks Architectural Construction, Mechanical, Electrical Engineering Application Projects" work was tendered and the works for the supply of the projects were started. Within the scope of the study, priority was given to the construction of a perimeter wall to eliminate the interventions of the surrounding occupations in the Gasworks. In 2015, the adaptive recycling project of Gasworks, which functions as a museum and cultural center, was introduced by the Istanbul Metropolitan Municipality at a ceremony. However, restoration work began in 2017. Gasworks Environmental Volunteers continued to work during the construction process. In 2021, Hasanpasa Gasworks turned into a living space with culture-art-science content under the name of Museum Gasworks. In the Museum Gasworks; There are 2 museum exhibition halls, 2 large and small stages, a science center, a gallery gasworks, event areas, workshops, a library, an audio study area, an observation terrace, a bookstore, market place, cafeteria and restaurant, parking lot for 310 cars. The buildings of the gasworks were converted by the original, without damaging the heritage (
Figure 3) [
15]. The process from the closure of the Hasanpasa Gasworks to its opening as the Museum Gasworks is summarized in
Table 1.
The Gasworks area, where activities are constantly held in every field, is used intensively by all Istanbulites today. Gasworks Environmental Volunteers continue their 27-year efforts today. Since the opening of the gas station, activities such as workshops, interviews, exhibitions, competitions, concerts, film screenings, competitions, concerts, and film screenings have been held at different times of the day to appeal to all age groups (
Figure 4).