3. The Marginalization of Astrology: Case Studies
Perhaps the first scholar to perceive that Copernicus, Brahe, Kepler, and those like them had been creating a system that could function without astrological forces and predictions was Pierre Gassendi (1592-1655). Born in the sleepy town of Champtercier, he quickly showed academic ability, studying first at the Jesuit college in Digne and then at the University of Aix-en-Provence. There he received his Doctor of Theology in 1617, the same year of his ordination to the priesthood (Lolordo 2006: 7-19). He then went on to teach rhetoric in Dijon (1612-14) and philosophy at Aix (1617-23), before being named canon and provost of the cathedral chapter at Digne (1634-55). During this latter period, he also held the post of professor of mathematics at the University of Paris from 1645-48, primarily teaching courses on astronomy (Fisher 2005; Lolordo 2006:100-80). But it was Gassendi’s humanist scholarship that led him to a close study of Epicurus, instilling within the French polymath a deep-seated atomism and empiricism that would lead him to attack astrology and its practitioners (Osler 1994: 153-70). However, this attack was rooted not just in his eclectic learning, but also in the social upheaval that had beset Gassendi’s beloved nation.
Gassendi’s time teaching astronomy at the University of Paris was neither the beginning nor the end of his interest in the subject, having both recorded celestial observations as an adolescent and corresponded with Galileo about astronomical matters as a mature man (Carré 1958: 112-20). This interest in the heavens led him to perceive the newly emerging physico-mathematical models of cosmology and inquiry to be a validation of the materialistic and empirical understanding of the universe promoted by his classical hero, Epicurus. It was this scholarly interest that caused the Frenchman to become an avid proponent of the Copernican heliocentric model of the universe, which he saw as more defensible than the alternatives in light of the work of both Kepler and Galileo Galilei (1564-1642) (Carré 1958: 120). In his later years he may have switched his allegiance from Galileo’s heliocentric system to the Tychonic model, but whether this switch was a public act made for the sake of appearances or genuine is still open to debate (Galluzi 2000: 509-45). What unquestionably did not change, though, was Gassendi’s continuing adherence to empirical-mathematical reasoning.
Gassendi’s interests also led him to become a committed materialist in terms of those things that occur within the bounds of the created universe, leading him to argue passionately for the use of the experimental method. Instilling within him an intimate understanding of the process of cause and effect, he ultimately came to reject astrology in its entirety, a journey made easier for him by the association between astrology and unrest that existed in France (Osler 2002: 167-84). Armed with a thoroughgoing command of the sources and arguments used by astrologers, Gassendi applied knowledge of the new science and its methodologies to tearing those arguments down. He stated that the heavens cannot influence the seasons, because those seasons have remained the same over the millennia despite the precession of the equinoxes.
2 Furthermore, heavenly bodies are presumed to cause the same effect everywhere upon the earth, but this is demonstrably untrue. After all, astrologers stated that Sirius imparts great heat, but Gassendi notes that when it is hot in France, it is quite cold elsewhere on the globe. Working from a model of “corpuscular mechanism” he averred that the primary action of stars was illumination and secondarily heating, but that latter effect does not make it to the sublunar realm. As such, any celestial effects can only be general, never specific (Garau 2020: 154-155). Finally, if the stars were causes, then they should always be right, yet in the French mathematician’s phrasing, astrological predictions “never or seldom take place” as predicted, “and when it takes place, the cause deriving from the heavens is totally unclear,” making judicial astrology no better than “chance or mere prophecy”(Gassendi quoted in Lau 2020: 165). Additionally Gassendi asserts disparagingly that astrologers rely upon charts created by others, while true scientists trust only observation and experiment. Therefore, their methodology put astrologers into conflict with what was coming to be seen as acceptable professional standards. In his estimation, this is doubly true for judicial astrology, which is no more than “ancient and bookish charlatanism” (Lau 2020: 163)
For Gassendi, analyzing “the digressions of Mercury, or of Venus, or the stations, directions and retrogradations around the universe”
3 offer nothing to one desirous of understanding terrestrial events (Gassendi 1658: 14). True, he referenced Pico in making his critique of astrology, but when he did so, it was to summon up an illustration in order to make a point. For example, he does so when discussing an unnamed French soldier who suddenly found wine to his liking though he had previously been a non-drinker, once afflicted by a fever (Gassendi 1972: 89). However, Gassendi’s critiques run far deeper, drawing inspiration more from the atomism of Epicurus than from the Pico’s religious inclined
Disputationes (Paganini 2024: 75-105). Thus, Pico’s preexisting critique served as an example for Gassendi, but it was only one part of a much more complex whole.
Gassendi was doing something new, rejecting rather than critiquing astrology, leaving no room for maneuver. He jettisoned medical applications of astrology alongside the indirect influence of the heavenly bodies that even the most ardent critics of the discipline had always preserved. Intriguingly his rejection was built upon the work of Copernicus, Kepler, and others—all of whom believed in the efficacy of astrology. Gassendi insisted that a rational individual could understand the “world machine” that constituted the universe through the application of inductive logic in conjunction with observation and experimentation, an idea which had been a commonplace in the work of many medieval writers, such as Albert the Great (c.1200-1280) and Konrad de Megenberg (c.1350) (Bianchi 1999: 55-8). However, unlike earlier writers, Gassendi disallowed mystical explanations posited to fill in the gaps of human understanding while admitting that some things may be beyond human comprehension. Nevertheless, lacunae of understanding indicate areas ripe for research, rather than a need for the introduction of some metaphysical or mystical explanation derived solely from philosophical introspection.
During the years that Gassendi was writing and teaching, Copernican cosmology was becoming increasingly sophisticated and accurate in its predictions about celestial motion, but there may have been an even stronger reason why Gassendi found this heliocentric system attractive in opposition to the older Ptolemaic model with its concomitant support for astrology: the incitement to unrest astrology had provided during France’s troubled sixteenth century. Although much work still needs to be done on French attitudes toward astrology in the seventeenth century, there were certainly strong reasons to be suspicious of all arts aimed at predicting the future. As Denis Crouzet argues in his two-volume Les Guerriers de Dieu, almanacs and astrology had combined with prophetic sermons and accounts of omens and prodigies to create a level of “eschatalogical anxiety” that had driven the Catholic population of France to ever greater heights of violence, culminating in the horrible events of St. Bartholomew’s day 1572 (Crouzet 1990: vol. 1, 101-304).
There are strengths to Crouzet’s analysis that make it appear altogether plausible. Astrological works were popular and widely distributed among at all levels of French society, with content that may have been linked to events in Germany, such as Luther’s identification of the pope with the antichrist and the Peasant’s War of 1524 to 1525, serving to heighten eschatological tensions among the Catholic population of France (Crouzet 1990: vol. 1, 103; 109-10). Astrologers’ predictions of a deluge of biblical proportions for 1524 since at least 1480 had heightened the significance of the Peasant’s War as far as the history of astrology is concerned. While the uprising of peasant farmers and the subsequent bloodletting that the social elites of Germany had visited upon them was no flood, it certainly had the appearance of a cataclysmic event to readers in France and therefore was frequently cited as a substantiation of the predictions that astrologers had been making for decades.
As Crouzet notes, astrological works with an increasingly apocalyptic tone rolled out of French printing presses at an ever more rapid pace until at least the 1570s (Crouzet 1990: vol. 1, 103; 300-04). But the story may be more complicated than that which he presents, for it is unclear whether this flood of divinatory literature drove “eschatological anxiety” and civil unrest or if astrologers wrote in response to an existing demand (Crouzet 1990: vol. 1, 103). The most recent scholar to undertake an untangling of the complex forces at work in France during this period is Jean Sanchez, whose dissertation “Lois des astres, lois des hommes, lois de Dieu: théologiens, magistrats et philosophes face à la question de l’astrologie en France (1560-1628)” deserves to be better known (2022). As he points out, despite Crouzet’s use of François Rabelais (1494-1553) as an example of a sixteenth-century intellectual who rejected astrology due to its associations with civil unrest, Rabelais composed numerous astrological almanacs the contents of which leave no doubt that he accepted the validity of celestial influences (Sanchez 2022: 301-303). Sheila J. Rabin has made the same point about Rabelais, at least in regards to natural rather than judicial astrology (Rabin 2004: 13-4). However, by the late sixteenth century French elites and intellectuals had clearly begun to see a connection between divination—whether through religious prophecy or by observation of the heavens—and violence in society (Crouzet 1990: 301-3). By the 1660s, within five years of Gassendi’s death, astrology was officially excluded from scientific institutions such as the prestigious Celle-ci fut officiellement exclue des nouvelles institutions scientifiques créées dans les années 1660, en particulier Académie royale des sciences (Sanchez 2022: 6). The last astrologer to hold a position of academic prominence in France was Jean-Baptiste Morin (1583-1656), who held the post of professor of mathematics at the Collège Royal from 1630 to his death (Garau 2024: 605). In spite of Morin’s vigorous defense of the subject in the face of his academic rival, Gassendi, judicial astrology would quickly lose favor among the French elite and as this happened, its practitioners lost patronage (Garau 2024: 611-616).
Furthermore, Gassendi may have been consciously contextualizing his rejection of astrology against the backdrop of political instability and violence in France. In the midst of the Franco-Spanish War phase of the Thirty Years War starting in 1635, the first in a series of revolts known as the Fronde occurred in 1648 and 49. It was against this backdrop of unrest that the dispute between one time friends, Jean-Baptiste Morin and Pierre Gassendi, broke out. Morin veered perilously close to accusing his old friend of heresy while Gassendi’s followers slung accusations of sorcery and more back at Morin (Garau 2024: 614-16). The result was what Robert A. Hatch has memorobably termed the “public execution” of astrology (Hatch 2017: 497). As part of the exchange of polemics occuring during this time of unrest, a work with the title A Ridiculous Mouse appeared in 1651. Although traditionally attributed to Gassendi’s pupil, François Bernier, Rodolfo Garau has persuasively argued that the work and its 1653 sequel, Ashes of a Ridiculous Mouse, were both products of the pen of Pierre Gassendi himself (Garau 2024b). This is important, because in the first of these works Gassendi (if Garau is correct, as he appears to be), wrote:
you should feel ashamed to flaunt [your astrology] further, after it caused so many evils throughout France, since you dissuaded the gullible minister not to persuade to peace the good Queen, because you predicted, on the basis of his natal chart, that he would have fallen from his ministry as soon as peace had been made (Gassendi, quoted in Garau 2024b: 617).
Within the context of his writing, it is not completely obvious whether Gassendi is referring to peace in the Thirty Years War or the Fronde, but either way, the meaning is clear: Gassendi is accusing Morin’s use of judicial astrology to lengthen and deepen the violence in France.
The precise context of Pierre Gassendi’s rejection of astrology is too complex for further discussion here, but his influence was not confined to France as his works soon became a staple of discussion among European intellectuals. This would be particularly true for England’s Royal Society, formed in 1666 (Clericuzio 2023: 334-376). Because of the significance of the Royal Society to the history of science, a consideration of astrology’s decline in that nation can serve as a useful case study. Gassendi’s argument that astrology should be rejected based upon its failure to employ proper scientific methodologies fell upon receptive ears among members of the Royal Society, both for reasons related to empiricism and the developing scientific thought of the day as well as the unrest that wracked England in the seventeenth century. The founding members of the Royal Society had matured in an England wracked with social turmoil and open warfare, and the changes to the makeup of those who practiced judicial astrology wrought by this turmoil would exacerbate the suspicion some intellectuals already evidenced toward the discipline. The most prominent example of such suspicion is Henry Savile (1549-1622), whose 1592 speech before Queen Elizabeth I at Oxford describes astrology as “deceitful about outcomes, superstitious in practice, imported from barbarous nations . . . an art which is worst in all its art, woven together by not principles, supported by no proof, established by no syllogism” (Savile 2014: 642). When Savile had a chance to put his beliefs into action he seized it, dictating that the holder of the Savile Chair in Astronomy he endowed in 1619 would teach nothing of astrology (Feingold 2021). However, he was something of an outlier. Savile’s life-long friend and fellow Oxonian, William Camden (1551-1623), though best known as an historian and antiquarian was also avidly interested in astrology (Feingold 1984: 101). Furthermore, while the holder of the Savilian chair of astronomy could not teach judicial astrology, that did not mean English university students could not study the subject. At Cambridge Joseph Mede (1586-1639) taught astrology as one among many subjects from 1613-1638, and an anonymous notebook from an Oxford student dated to the same time period contains notes on astrology, suggesting study of the subject continued at both universities (Feingold 1984: 99-100).
However, suspicious attitudes about judicial astrology would become more commonplace in years to come. The bloodshed of the Civil Wars, fought between 1642 and 1650, killed twelve percent of the English population while wiping out almost half of the population of Ireland (Morrill 1980: 189-91). Within the context of such widespread devastation, it is hardly surprising that the populace became desperate to find solace in anything that promised to explain these events while predicting what might come next. With the collapse of censorship during the Civil Wars, the increased production of astrological almanacs handily met this need. Bernard Capp estimates that by 1650 one-third of the families of England owned one or more of these works (Capp 1979: 79-80). Within the pages of these almanacs the reader could find not only astrological information and predictions but also calendars of events and news of current happenings, often juxtaposed with an astrological explanation, serving simultaneously to serve the public’s needs for reassurance, information, and advice by mingling predictions with rumors and news accounts of the war.
But with the country tearing itself apart, we should not expect these astrologers to have been unbiased observers. Some, such as George Wharton (1617-81), turned their predictions into propaganda for the Royalist cause while others, such as William Lilly (1602-81), were just as active in their support of the Parliamentarian position (Geneva 1995: 31-60, 57, 73-86). Propaganda pieces or not, the works of England’s astrologers were extremely popular, with 30,000 of Lilly’s works selling in 1659 alone, and total almanac sales by all authors climbing to 400,000 per annum in the 1660s. Ironically, this very popularity was a significant contributing factor in the death of astrology as a learned discipline.
As these vernacular almanacs proliferated among the increasingly literate population of England, the basics of astrology spread with them. New practitioners arose to meet the explosively growing demand increasingly drawn from non-elite backgrounds (Curry 1989: 20, 46-8). As Lilly’s patron, Elias Ashmole (1617-92), stated in his 1652 work, Theatrum chemicum Britannicum
Astrologie is a profound science. . . Never was any age so pester’d with a multitude of Pretenders, who would be accounted . . . masters, yet are not worthy to wear the badge of illustrious Urania. And (oh to be lamented) the swarme is likely to increase, until through their ignorance they become the ridiculous object of the enemies of Astrologie . . . and eclipse the glory of that light, which if judiciously dispensed to the world would cause admiration, but unskilfully exposed becomes the scorne and contempt of the vulgar (Ashmole 1652: 453).
In other words, astrology had slipped the bonds of respectable society to be taken up by tradesmen and the “rabble” of England, and this vulgarization of the discipline lead to a decline in the accepted standards of practice (Curry 1989: 36-8). This new breed of astrologers was increasingly drawn from outside the ranks of the intellectual elite, making them less apt to possess the skills necessary to apply themselves to the classical sources of astrological knowledge (Curry 1989: 109-22). In 1648, the astrologer George Wharton wrote bitterly that for many, “Ptolemy may be something to eat for aught they know” (Quoted in Curry 1989: 196). The decline in accepted standards was problematic for the future of astrology, but the backgrounds of the new breed of astrologers were perhaps more damning. Elites such as Elias Ashmole had no interest in associating with those whom they viewed as socially and intellectually inferior.
At times England’s critics of astrology appealed directly to their Continental counterpart, Pierre Gassendi, as can be seen in the translation and abridgegment of his 1649 De praesignificatione siderum bearing the title: The vanity of judiciary astrology. Or Divination by the stars, translated by an anonymous “person of quality” (1659; Garau 2020: 147). The title itself speaks volumes, as does the brief “history” included in chapter 1, in which the tranlsator avers astrology and astronomy had once been synonyms, until “after a long process of time, when the fraudulent and superstitious Chaldeans had corrupted the purity of this Science, by foisting in their Vanities, and ascribing certain prodigious vertues to Heavenly Bodies over inferior,” thus creating a distinction between the “noble” astronomy and the “vain” astrology (1658: 1). The critique of astrology only deepens from there, rising to a point where the text asserts “little of Reason can be urged in defence of Astrology” and in fact any astrological prediction that appears to come true “may be said to work by chance or accident” (1658 125,131). And in a passage seeming to reflect more of the changes having occurred regarding the social position and education of English astrologers than that of the original French text:
let us reflect upon the Variety of the Art it self; it being no secret, that the Artificers are at irreconcilable variance among themselves; and even about their Fundamentals. And hence comes it, that they differ in their doctrine in many things, and among the rest, in the Manner of Erecting Scheams; for few of them now a dayes retain either the Old Chaldean way of casting Nativities, or the Placits relating to them (1658: 135).
It is tempting to see concerns about the state of England in such sections, where the translation from the French is rather free to say the least, as well as in repeated references to predictions such as those for whom “Astrologers had threatned violent and untime∣ly deaths by the hand of an executioner . . . or the miserable death of such as lay violent hands upon themselves” (1658, 151-152).
The fidelity of this anonymous “person of quality” to Gassendi’s text, the reasons for the decisions made in translating that work, and other questions related to it are worth further study, but it seems clear that his decision to translate Gassendi was made with an eye toward the changing nature of those who practiced judicial astrology in England. But it was not just the social class and educational levels of these self-styled astrologers that provoked feelings of mistrust, apprehension, and distaste upon the part of England’s elite practitioners: many of the new low-born astrological writers were associated with the provocation of social disorder. In the absence of any effective form of censorship in the 1640s and into the 1650s, many of the almanacs enjoying the briskest sales promoted antinomian beliefs –presumably supported by celestial portents “proving” that the established social order was no more –as well as strongly anti-royalist messages (Curry 1989: 46). While agents of the Lord Protector Oliver Cromwell (1599-1658) might have overlooked the latter aspect of this newly demotic astrology, none of the country’s elites could countenance the socially subversive elements visible in so many of these new almanacs, though there were periodic attempts to rehabilitate the discipline among the intelligentsia or least a continuing interest in the subject. Robert Boyle’s (1627-1691) posthumously published General History of the Air (1692) contained references both to possible mechanistic effects of astrology as well as celestial influence on the atmosphere (Harrison 2000: 26-28). However, this was no longer the England of the pre-Civil War period. With the Restoration of Charles II (r.1660-85) to the throne, astrologers who appeared to have supported the Parliamentarian position found themselves in a precarious position. The 1662 Act of Uniformity reinstated censorship and Parliament established the staunch Royalist and Anglican Roger L’Estrange to enforce it. His assigned task was to “seize all seditious books and libels, to apprehend the authors, and to bring them before council” (Quoted in Capp 1979: 49). William Lilly, to whom L’Estrange referred as “old Crackfart,” complained that censors “macerated, obliterated, sliced and quartered” his books, causing his sales to plummet from a high of 30,000 per year in 1659 to less than 8,000 in 1664 (Quoted in Capp 1979: 49, 89).
Perhaps desperate to reestablish their position, many astrologers attempted to reform their discipline along lines accepted by the new scientific elite, but it was too little and far too late. John Gadbury (1628-1704)—a tailor who studied with the astrologer and physician Nicholas Fiske (1575-1659)— who assiduously gathered birth charts and honed astrological principles, no amount of effort was going to breathe life back into a field of study that had become associated with popular enthusiasms and unrest, especially since the majority of the new practitioners were self-taught members of the lower classes (Curry 1989: 72-6). This vulgarization of astrology had turned the majority of England’s intellectual elites against it, leaving them receptive to and in need of an alternative cosmological view. Just such an alternative had been slowly coalescing in the mathematical models and abstract theories of Copernicus, Brahe, and Kepler. Gassendi’s work was important too, as he promoted the idea that any discipline failing to apply the scientific method, as promoted by Galileo, could not be considered a science. Since “scientific,” however ill-defined it might have been as a construct, was becoming virtually synonymous with “rational” in the minds of Europe’s new intellectual elite, astrology’s imperviousness to controlled experimentation left it outside the realm of mainstream academia. Therefore, Gassendi enjoyed considerable success in convincing his readers that focusing on natural, mathematically describable forces explicable through experimentation represented a method of comprehending the universe that was a viable alternative to astrology.
With the publication of Gassendi’s collected works in the late 1650s, members of the Royal Society such as Robert Boyle and Sir Isaac Newton (1642-1727) embraced him (Clericuzio 2023). In this way, the French astronomer’s ideas served to advance the idea of a rigorously empirical system of science that would be promoted as an alternative to the astrological thought that had become associated with ill-educated social radicals. Even though these very scientists continued to study other forms of esoterica, including efforts on the part of Newton to develop of means of predicting the future based on analysis of the bible, astrology was banished from their systems of thought (Snobelen 2003: 537-551). The emerging forms of the new science would step in to fill the void, offering replicable results attained through a process –experimentation—mutually agreed upon by gentlemanly practitioners who wished to distance themselves from the masses. Those such as Gadbury who applied the new learning to attempted reforms of astrology were out of step with the times, fighting a doomed holding action to preserve the study of this art within the respectable ranks of academia. Instead, Jonathan Swift (1667-1745) was the voice of the things to come, with his bitingly brilliant satire of all things astrological in his “Prediction for the Year 1708, by Isaac Bickerstaff, Esq.,” foreshadowing astrology’s future as an object suitable more for ridicule than study in the view of the intellectual mainstream (Swift 1757: 305-14). As the Royal Society increased its European reputation and England became recognized as a scientific leader in the seventeenth and eighteenth centuries, English distaste for astrology spread along with the other ideas of the Society’s members.