Version 1
: Received: 21 March 2021 / Approved: 22 March 2021 / Online: 22 March 2021 (11:50:06 CET)
How to cite:
Eggert, G. 'Copper and Bronze in Art' and the Search for Rare Corrosion Products. Preprints2021, 2021030523. https://doi.org/10.20944/preprints202103.0523.v1
Eggert, G. 'Copper and Bronze in Art' and the Search for Rare Corrosion Products. Preprints 2021, 2021030523. https://doi.org/10.20944/preprints202103.0523.v1
Eggert, G. 'Copper and Bronze in Art' and the Search for Rare Corrosion Products. Preprints2021, 2021030523. https://doi.org/10.20944/preprints202103.0523.v1
APA Style
Eggert, G. (2021). 'Copper and Bronze in Art' and the Search for Rare Corrosion Products. Preprints. https://doi.org/10.20944/preprints202103.0523.v1
Chicago/Turabian Style
Eggert, G. 2021 "'Copper and Bronze in Art' and the Search for Rare Corrosion Products" Preprints. https://doi.org/10.20944/preprints202103.0523.v1
Abstract
Information taken from David A. Scott’s book “Copper and Bronze in Art” was crucial for research on copper corrosion products in Stuttgart. Examples discussed are the nature and variability of ‘Black Spots’ (aka ‘Brown Fuzzies’); cupric hydroxide by cleaning, patination, and pigment synthesis; the wondrous phenomenon of curly malachite; chalconatronite formed by contact to soda glass; the formation of copper formates by glass-induced metal corrosion; and synthesis and X-ray diffraction of basic copper acetates (‘verdigris’).
Chemistry and Materials Science, Metals, Alloys and Metallurgy
Copyright:
This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
