Version 1
: Received: 1 October 2018 / Approved: 3 October 2018 / Online: 3 October 2018 (11:27:53 CEST)
How to cite:
Moore, L. Technoetic Aesthetics of Revelation and Transcendence: The Horse in the Mind. Preprints2018, 2018100040. https://doi.org/10.20944/preprints201810.0040.v1
Moore, L. Technoetic Aesthetics of Revelation and Transcendence: The Horse in the Mind. Preprints 2018, 2018100040. https://doi.org/10.20944/preprints201810.0040.v1
Moore, L. Technoetic Aesthetics of Revelation and Transcendence: The Horse in the Mind. Preprints2018, 2018100040. https://doi.org/10.20944/preprints201810.0040.v1
APA Style
Moore, L. (2018). Technoetic Aesthetics of Revelation and Transcendence: The Horse in the Mind. Preprints. https://doi.org/10.20944/preprints201810.0040.v1
Chicago/Turabian Style
Moore, L. 2018 "Technoetic Aesthetics of Revelation and Transcendence: The Horse in the Mind" Preprints. https://doi.org/10.20944/preprints201810.0040.v1
Abstract
The presentation utilizes the sensibility of technoetic aesthetics in order to demonstrate an interpretive study of imagery issuing from contemporary cultural and technological innovative products and events, such as Blade Runner 2049 and SpaceX Starman, the Tesla Roadster launch. It refers in particular to the theme of horse, horseman, and rider depicted explicitly or implied through aesthetic metaphors. These images seem to conjure current apocalyptic and revelatory meanings as well as amplify a sense of collective longings for transcendence
Keywords
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Subject
Arts and Humanities, Religious Studies
Copyright:
This is an open access article distributed under the Creative Commons Attribution License which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.