Abstract: Launched as part of the ‘France 2030’ plan, the ‘La Grande Fabrique de l’Image’ (GFI) call for projects aims to transform the French audiovisual ecosystem through massive support for production infrastructures. This paper analyses the GFI as a lens through which to examine the transformations in French cultural policy, specifically the doctrinal shift from supporting ‘filières’ () such as film and television, to supporting a broader sector : the Cultural and Creative Industries (CCIs). Drawing on the history of technical industries, cluster theory, and a critical analysis of official documents (parliamentary reports, needs assessments, Court of Auditors’ reports, CNC balance sheets), this article demonstrates that the GFI is orchestrating a major strategic shift : the move from a support policy traditionally centred on works and authors (‘politique des auteurs’) to an industrial policy of ‘studio-ization’ (the systemic development of studio-based ecosystems in France), which places infrastructure at the heart of the value-creation process. This shift, however, proves to be paradoxical: by promoting ‘technical quality’ as a pillar of competitiveness, it revives the imaginary of the ‘qualité française’ (French Quality) cinema of the 1930s–1950s, while creating tension with the legacy of the ‘politique des auteurs’ that has shaped the doctrine governing film subsidies since 1959. Critical analysis of the programme also reveals its limitations (biases in the assessment of training needs, a lack of economic impact data) and the reactive role of the CNC, which is compelled to integrate an industrial logic that is no longer natural to it. The conclusion questions the ability of this new industrial order to coexist sustainably with the cultural model upon which French cinema has hitherto been built.

Abstract: This literature review examines the convergence of interactive film technologies and the microdrama phenomenon to establish the theoretical foundations for CLOKI, a novel genre of preliminary interactive microdramas with controllable timing. Through a systematic analysis of over 80 peer-reviewed studies and industry reports, we investigate the challenges of interactive storytelling, particularly the tension between viewer agency and narrative coherence, alongside the explosive growth of Chinese microdramas as a dominant force in mobile entertainment. Our synthesis reveals that traditional interactive films suffer from narrative fragmentation and cognitive overload during real-time decision-making, while microdramas demonstrate commercial viability through ultra-short formats (1-5 minutes) optimized for mobile consumption but lack meaningful personalization. CLOKI addresses these fundamental limitations by implementing pre-viewing control of plot parameters and duration, enabling viewers to configure narrative elements before consumption begins. This preliminary control mechanism resolves the agency-coherence paradox while maintaining the engagement advantages of short-form content. This review establishes CLOKI as a significant innovation in digital storytelling, synthesizing proven elements from successful microdrama platforms with solutions to interactive narrative challenges through temporal and plot customization.

Abstract: The rapid advancement of generative artificial intelligence has fundamentally transformed content creation, yet existing screenplay formats fail to bridge the gap between human artistic intention and machine interpretation while ensuring legal protection of authorship. This paper introduces the prompt-screenplay—a novel hybrid format that simultaneously functions as human-readable narrative, machine-executable instruction set, and legally verifiable proof of authorial intent. We propose a five-layer semiotic architecture integrating: immutable authorial vision through master prompts, visual semantic node-based narrative structure, adaptive presentation for target audiences, personalized viewer experience with biometric feedback, and comprehensive analytics for content evaluation. The system employs morphological modifiers embedded in natural text, inline commands for AI instruction, and cryptographic consistency tags for preventive copyright protection through blockchain registration. A pilot transformation of the science fiction screenplay “SKOR” demonstrates practical applicability for multimodal generation across video, audio, comics, games, and interactive media, with particular efficacy for vertical mobile formats dominating contemporary consumption. Unlike existing approaches, prompt-screenplays preserve artistic expressiveness while encoding machine-readable metadata at the conception stage, addressing the critical legal gap in AI-generated content authorship.

Abstract: This study contributes to contemporary debate on transformative changes in the digital age, which with special attention to women's visibility, representation and special attention to the agency, especially the focus. Digital media has revolutionized methods where information is produced, spread and consumed, leading to both opportunities and challenges for female communicators. By drawing on a feminist and gender -oriented structure, research checks how the female author and producer group provide navigation, interaction and shape to the dynamics of digital media platforms. By incorporating various theoretical, analytical and methodological personal contact. Conclusions reveal the frequent patterns of gender representation that highlight both progress and permanent differences in the digital field. In particular, analysis indicates how female communication materials affect the creation, the frame for messages and the audience's busy, while facing structural and cultural obstacles to visibility.The results outline the importance of a feminist approach to highlight the nature of the penis of digital communication and challenge traditional gatekeepers. Kvinne fokuserer fokusert og brukt på feminister, dette arbeidet gir verdifullt bidrag i studiet av kjønnskommunikasjon, intimitet og mediepresentasjon. This forward researchers' interactions that women change digital journalism, defy communication practices and claim a place in modern media contexts.

Abstract: Professor Nir Eisikovits (2023) recently advanced the theory that Artificial Intelligence (AI) poses an existential risk to humanity, but one that is philosophical rather than apocalyptic. While film and television has explored the latter outcome of the use of AI extensively since the 1980s, with the archetypal hero inevitably pulling humanity back from the brink, it has yet to fully explore the philosophical dilemmas posed by AI and, moreover, the conflicts between faith and reason. David Benioff and D. B. Weiss’s 3 Body Problem (Netflix, 2024) has recently sought to address this gap through the adoption of a philosophical approach to the implications of sentient AI being used in society. As such, this paper will assess the series in line with Eisikovits’ assertion in order to explore the philosophical dimensions of the narrative and its ideological significance. Applying a philosophical theoretical framework to close textual analysis of the show itself, this paper will argue that 3 Body Problem embraces the existential angst of humanity as it becomes entangled with questions of faith and reason where science and technology begin to encroach on the human experience.

Abstract: This article explores the phenomenon of ‘Devils Journalism’—a term conceptualized to describe manipulative, unethical, and politically weaponized forms of journalism—focusing on its manifestations in the Global, particularly in South Asia and Bangladesh. It examines the historical roots, structural challenges, and ideological distortions within media ecosystems that enable Devils Journalism to flourish. Through case studies and comparative analysis, the paper investigates how misinformation, partisan narratives, and media monopolization erode democratic values, stoke communal tensions, and reinforce authoritarian practices. Using a qualitative methodology with content analysis and political communication theory, the study also discusses the role of international actors, digital surveillance, and civil society resistance. This research article also explores the phenomenon of Devils Journalism, a term used to describe unethical, manipulative, and sensationalist media practices that distort truth for political, economic, or ideological gain. Through a comparative analysis of global trends and regional case studies, with a special focus on South Asia and Bangladesh, the study critically examines how such journalism undermines democratic processes, inflames communal tensions, and erodes public trust in media institutions. Drawing on qualitative content analysis, expert interviews, and secondary data, the research reveals that while Devils Journalism is a worldwide concern, its manifestations in South Asia—particularly in Bangladesh—are intensified by political polarization, weak media regulations, and the rise of digital misinformation. The article argues for urgent reforms in media ethics, stronger regulatory frameworks, and enhanced media literacy among the public to combat the adverse impacts of this phenomenon. The findings contribute to the broader discourse on media accountability and democratic resilience in the face of growing disinformation and propaganda.

Abstract: This study evaluates media students’ knowledge of occupational safety procedures in Yemeni universities. Using a field‐survey design, an online questionnaire was administered via snowball sampling to 167 respondents. Results indicate that 66.5\% of participants perceive journalism in Yemen as a high‐risk profession. Respondents cited diverse sources of safety knowledge—academic coursework, hands‐on experience, online resources, formal training, and industry safety guides. While 81.4\% of students affirmed the critical importance of following workplace safety protocols, 41.9\% reported that their universities do not adequately prioritize safety training. Among those surveyed, 73.1\% attributed this shortfall to a lack of institutional resources, and only 42.5\% confirmed that “occupational safety” is formally included in their curricula. Overall, students demonstrated a moderate understanding of safety procedures, with an average comprehension score of 2.67 out of 5.

Abstract: On media, television commercials (TVCs) play a significant role in shaping societal perceptions of gender roles. This study examines gender depictions in Indian TVCs, focusing on key dimensions such as gender ratio in primary characters, voiceovers, settings (home, outdoor, workplace), and product categories. A content analysis of 120 TVCs from Indian brands (2011–2020) was conducted, with coding performed by the researcher. Findings reveal that men were primary characters in 54.6% of the advertisements, while women featured in 45.4%. Male voiceovers dominated at 70.1%, compared to 29.9% for females. Women were portrayed in home settings in 66.7% of TVCs, while men appeared in 33.3%. Outdoor settings showed no significant gender difference, contrary to expectations. In workplace settings, men exclusively appeared (100%), with no representation of women. Product categories linked women predominantly to household and healthcare products, while men dominated categories like banking, technology, and transportation. This study bridges gaps in research on gender representation in media within the diverse cultural context of India. Findings are contextualized using Social Learning Theory and highlighting the potential societal impacts of stereotypical gender portrayals in advertisements.

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This article examines the cinephilia of film downloaders between the end of the Napster era (the first P2P network shut down by US authorities in 2001) and that of MegaUpload, shut down in 2012 by New Zealand authorities. This decade has been characterized by the gradual disappearance of the technological barriers that have long hampered the downloading of large files, in tandem with the spread of ADSL and the rise of streaming[1] . Few studies, however, have looked at downloading and streaming from the perspective of the sociology of consumption, considering these content appropriation practices as a means of determining a trend in cinephiles' taste for the cinema object. On the basis of a qualitative survey, we look at the motivations behind downloading and streaming, relating them to the emergence of new cinephilic behaviours ("niche" and "rarity" cinephilias). Today, these indicators converge to suggest that downloading films is a way of appropriating images that has become commonplace, with few differences from other uses of cinephilia consumed on the big screen.

Abstract: This paper discusses the transformative role Artificial Intelligence (AI) is anticipated to play in the film industry, specifically concerning its capacity to enhance and redefine the parameters of cinematic realism. As the integration of AI in the cinematic field gains momentum, an exploration of its implications on the perceived realism in film is essential. The paper first outlines the historical trajectory of realism in cinema, mapping its evolution and its core principles with respect to technological advances; we then introduce AI as a disruptive technology poised to reshape this trajectory. The focus of the paper lies in examining how AI, through its advanced image recognition and synthesis, data analysis, and deep learning capabilities, has the potential to revolutionise traditional methods of film production, post-production, and distribution, significantly impacting the authenticity of cinematic narratives. The paper then discusses potential drawbacks, such as the risk of over-reliance on technology and the ethical implications of AI utilisation, offering a balanced perspective on this emergent phenomenon. The paper aims to inform film scholars, industry professionals, and enthusiasts about the profound transformations AI is set to bring, propelling the discussion towards the future of film in the era of artificial intelligence.

Abstract: In the last few decades, we have witnessed an unprecedented transformation in the way information is created, disseminated, and consumed. The advent of the digital age has revolutionized not only our access to information but also the very fabric of our social, political, and cultural lives. Digital media, a term encompassing everything from online news portals and social media platforms to streaming services and mobile applications, now forms an integral part of the daily lives of billions of individuals worldwide.

Abstract: Instagram is a popular social media platform among youth, with over a billion active users worldwide. The platform allows users to share photos, videos, and stories and connect with friends and followers. Instagram has become a significant part of youth culture, with many young people spending a considerable amount of time on the app. According to Enterprise (2012:02), Instagram is a community shared among one member with other members from all over the world. This study examines the impact of Instagram on the physical and mental well-being of Indian youth. With the rapid proliferation of social media platforms in India, Instagram has emerged as a prominent influence on the lives and perceptions of young individuals. Studies have shown that using Instagram among youth can have positive and negative effects. On the positive side, Instagram can be a way for young people to express themselves, connect with others, and discover new interests. However, excessive use of the platform can also lead to negative outcomes, such as social comparison, anxiety, and low self-esteem. Instagram addiction among youth is a growing concern. Some young people may feel compelled to check their accounts frequently and may experience negative emotions if they are unable to do so. In extreme cases, excessive use of the platform can interfere with daily activities and relationships, leading to a negative impact on mental health. Parents and educators can play a role in helping young people manage their Instagram use. This can include setting limits on screen time, encouraging healthy online habits, and promoting offline activities and social interaction. Additionally, mental health professionals can offer support to young people who are struggling with addiction or other negative effects of Instagram use. This study explores the prevalence of Instagram dependency among Indian youth.

Abstract: The Nigerian media have traversed through all manners of leadership— military, democratic—finally settling into democratic governance. Experience from previous regimes exposed them to the vagaries of power and how to cope with them. The coming of the internet with its social media handles threw the journalists of these media into confusion as the citizens have taken the reigns of news/information peddling from under them, turning them into agents of confirmation and authenticity of information. The objective is to interrogate how online media/information/news streaming has taken the audience away from the traditional media by being on the ‘spot’ at all hours with their avalanche of “Breaking News.” Deploying survey method (opinion poll, OPL), and relying on purposive sampling technique, the authors purposively selected WhatsApp Group Platforms (WGP), as the most suitable of the new/social media with access to all manners of news sources. Findings reveal that audiences currently resort to the traditional media to confirm the authenticity of news and information carried online in a sort-of-when-in-doubt-watch-the television; listen to radio or read the newspaper/magazine. It concludes that online news streaming has become the coveted bride of present day information and news seekers albeit a most unreliable one at that.

Abstract: The advent of the digital age has brought about significant transformations in the entertainment industry, challenging traditional paradigms and redefining the ways in which content is created, distributed, and consumed. This research paper critically reviews the paradigm shift occurring in the entertainment industry, focusing on the implications of digital technologies, the rise of online platforms, changing consumer behavior, and the impact on various stakeholders. By analyzing relevant literature, industry reports, and case studies, this paper aims to comprehensively understand the challenges and opportunities presented by the digital age and assess its impact on the entertainment industry.

Abstract: The risk of the emergence and reemergence of zoonoses is high in regions that are under anthropogenic actions, as they contribute to the risk of vector disease transmission. Yellow fever (YF) is among the main pathogenic arboviral disease in the world, and the Culicidae Aedes albopictus has been proposed to have the potential to transmit yellow fever virus (YFV). This mosquito inhabits both urban and wild environments, and under experimental conditions, it has been shown to be susceptible to infection by YFV. In this study, the vector competence of the mosquito Ae. albopictus for the YFV was investigated. Female Ae. albopictus were exposed to non-human primates (NHP) of the genus Callithrix infected with YFV for blood meal. Subsequently, on the 14th and 21st days post infection, the legs, heads, thorax/abdomen and saliva of the arthropods were collected and analyzed by viral isolation and molecular analysis techniques to verify the infection, dissemination and transmission. The presence of YFV was detected in saliva samples through viral isolation and in the head, thorax/abdomen and legs both by viral isolation and by molecular detection. The susceptibility of Ae. Albopictus to YFV confers a potential risk of reemergence of urban YF in Brazil.

Abstract: The Western ‘discovery’ of Japanese cinema in the 1950s prompted scholars to articulate essentialist visions understanding its singularities as a result of its isolation from the rest of the World and its close links to local aesthetic and philosophical traditions. Recent approaches however, have evidenced the limitations of this paradigm of ‘national cinema’. Higson (1989) opened a critical discussion on the existing consumption, text andproduction-based approaches to this concept. This article draws on Higson´s contribution and calls into question traditional theorising of Japanese film as a national cinema. Contradictions are illustrated by assessing the other side of the ‘discovery’ of Japanese cinema: certain gendaigeki works that succeeded at the domestic box office while jidaigeki burst into European film festivals. The Taiyōzoku and subsequent Mukokuseki Action created a new postwar iconography by adapting codes of representation from Hollywood youth and western films. This article does not attempt to deny the uniqueness of this film culture, but rather seeks to highlight the need to reformulate the paradigm of national cinema in the Japanese case, and illustrate the sense in which it was created from outside, failing to recognise its reach transnational intertextuality.

Abstract: This article responds to an identified and significant gap in the existing scholarly canon to consider the extent to which cinematic representations construct heroin users—the ‘junkie’—as a criminalised ‘Other’ which confer legitimacy on the notion that such are criminogenic and deviant. Positioned within the disciplinary bounds of cultural criminology, this article focuses on five films - Sid and Nancy (1986); The Basketball Diaries (1995); Trainspotting (1996); Requiem for a Dream (2000); and, T2 Trainspotting (2017). Drawing together Hall’s (1997) theories of representation and Hjelm’s (2014) theories of social constructionism, the findings from a narrative analysis of each of the films—individually and comparatively—explores the following themes, junkies: as criminogenic; as dangerous underclass; as embodying decay and depravity; and in relation to female junkies, as junkie whores. In doing so, this article elucidates new thinking and ideas about cinematic representations of junkies and how this shapes and influences social norms and mores.