Franklinite-Zincochromite-Gahnite solid solutions have been prepared by ceramic or coprecipitation method and its pigmenting capacity as cool ceramic pigments in different glazes (double and single firing frits and porcelain frit) was studied. XRD, UV-Vis-NIR diffuse reflectance, CIEL*a*b* colour analysis, bandgap measurement and the photocatalytic activity over the Orange II azoic dye were carried out for the characterization of samples. Following criteria of high red colouring capacity and high NIR reflectance at minimum Cr amount, Zn(Fe1.8Cr0.2), Zn(Al1.5Cr0.5) and Zn(Al1.3Cr0.5Fe0.2)O4 turn out to be the optimal compositions for an intense reddish cool pigment. All powders show a direct semiconductor behaviour with bandgap around 2 eV, falling in the visible range (620 nm), and according to literature, the associated photocatalytic activity over Orange II with visible light irradiation is moderate in all cases, but the Franklinite-Zincochromite Zn(Fe1.8Cr0.2) stands out.

The aim of the experiment was to determine the effect of strontium oxide addition on zirconium silicate recrystallization when adding strontium oxide to the glaze composition. Zirconia glazes (4 different contents) were prepared to which strontium oxide was added in amounts of 0, 1, 3, 6, and 12 mass%. SrO. The characteristic temperatures of the raw glazes were measured, based on which the maximum firing temperatures were determined. The fired glazes were subjected to study of the phase composition and observation of the microstructure. Analysis of the characteristic temperatures showed a fluxing effect, but it was not as strong for all glazes. Differences in the amount of the crystalline phase of zirconium silicate obtained in fired glazes and the partial transition of zirconium silicate to the amorphous phase were observed. Observations of the microstructure clearly indicated an increase in the homogeneity of the distribution of zirconium silicate.

Transition metal complexes have historically played a pivotal role in creating vibrant pigments utilized across artistic mediums such as ceramics, paintings, and glass mosaics. Despite their extensive historical use, our understanding of the mechanisms governing transition metal complex behavior has predominantly emerged in recent times, leaving numerous aspects of this process ripe for exploration. These complexes exhibit striking color variations under diverse conditions when employed in pigment formulations. This review utilizes a bottom-up scientific approach, spanning from microscopic to macroscopic scales, to unravel the molecular origins of the colors generated by transition metal complexes in pigments and ceramic glazes. Advanced spectroscopy techniques and computational chemistry play pivotal roles in this endeavor, highlighting the significance of understanding and utilizing analytical data effectively, with careful consideration of each technique's specific application. Furthermore, the review investigates the influence of processing conditions on color variations, providing valuable insights for artists and manufacturers aiming to enhance the precision and quality of their creations while mitigating environmental impact.