Preprint Article Version 1 Preserved in Portico This version is not peer-reviewed

Soundcape Description in Intangible Cultural Heritage Events. Some Special Cases: Fallas in Valencia, Sanfermines in Pamplona, “Moros Y Cristianos” in Villena and “Mare De Deu de la Salut” Parade in Algemesi

These authors contributed equally to the work.
Version 1 : Received: 15 May 2023 / Approved: 16 May 2023 / Online: 16 May 2023 (05:22:51 CEST)

How to cite: Segura-Garcia, J.; Cerda-Jorda, S.; Cibrian, R.; Arana, M.; Gimenez-Perez, A. Soundcape Description in Intangible Cultural Heritage Events. Some Special Cases: Fallas in Valencia, Sanfermines in Pamplona, “Moros Y Cristianos” in Villena and “Mare De Deu de la Salut” Parade in Algemesi. Preprints 2023, 2023051100. https://doi.org/10.20944/preprints202305.1100.v1 Segura-Garcia, J.; Cerda-Jorda, S.; Cibrian, R.; Arana, M.; Gimenez-Perez, A. Soundcape Description in Intangible Cultural Heritage Events. Some Special Cases: Fallas in Valencia, Sanfermines in Pamplona, “Moros Y Cristianos” in Villena and “Mare De Deu de la Salut” Parade in Algemesi. Preprints 2023, 2023051100. https://doi.org/10.20944/preprints202305.1100.v1

Abstract

Preserving the Intangible Cultural Sound Heritage of Humanity is a crucial aspect of safeguarding a people’s culture and history. By employing objective acoustic and psychoacoustic parameters, we can effectively analyze and characterize these auditory environments based on objective, aesthetic, and emotional criteria. The ISO 12913 standard governs the depiction of soundscapes, while the evaluation of outdoor sites involves conducting sound-walks. This study focuses on assessing different soundscapes observed during festivities in Spain as sound walk (dynamic) and as in fireworks (static). The festivities assessed were: "Fallas" in Valencia, Sanfermines in Pamplona, "Festa de la Mare de Deu" in Algemesi, and "Moros y Cristianos" in Villena. To evaluate these soundscapes, we captured ambient sound recordings while traversing through or staying between the festival crowds. Subsequently, we employed various psychoacoustic metrics, such as loudness, sharpness, roughness, fluctuation stress, and tonality, and analyzed them using Zwicker models. Additionally, we conducted a subjective survey to compare the subjective responses with the psychoacoustic metrics obtained.

Keywords

Psychoacoustic annoyance; Festive soundscapes; Cultural Heritage; ISO 12913

Subject

Physical Sciences, Acoustics

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