Abstract: As China's electric vehicle (EV) market transitions from rapid growth to high-quality development, competition among brands is shifting from purely technological aspects to more holistic expressions involving spatial design and brand positioning. This study investigates the coupling mechanism between spatial aesthetics and brand positioning and its influence on consumer purchase intention. Drawing on Gibson’s theory of spatial aesthetics and the Technology Acceptance Model (TAM), we develop a theoretical framework integrating perceived usefulness and perceived ease of use of spatial aesthetics with brand cognition. Empirical analysis is conducted using coupling coordination degree modeling and multiple regression, based on 1,576 valid questionnaires collected from 4S dealerships of nine major EV brands in China. The results indicate that spatial aesthetic elements—such as environmental visual flow, invariance, and affordance—positively affect consumers’ perceptions of technology and brand recognition. Furthermore, the degree of coupling between spatial aesthetics and brand positioning perceptions significantly enhances purchase intention, particularly among consumers of safety-oriented and luxury EV models. These findings confirm the synergistic effect of spatial experience and brand strategy in shaping consumer behavior, enriching theoretical understanding of EV consumer psychology and offering practical guidance for strategic decision-making in product design and brand communication.

Abstract: This paper explores the deep and enduring relationship between art and philosophy, presenting art not merely as aesthetic expression but as a visual form of critical thought. Tracing historical perspectives from Plato and Aristotle to Nietzsche and Kandinsky, the study analyzes how artistic expression evolves from imitation to abstraction and conceptual inquiry. Through an interdisciplinary lens, it proposes that art and philosophy are interconnected modes of understanding existence, consciousness, and reality. The paper culminates in a call for a new artistic movement—“Philosophical Realism” or “Metaphysical Art”—which would unify aesthetic and intellectual reflection. This study ultimately affirms that the fusion of art and philosophy can transform the way we perceive the world and ourselves.

Abstract: Despite the promising properties of melanin and the abundance of acid sulfate soils, the potential of specific unexplored aspect remains largely unexplored. Previous studies have focused on existing research directions, but have overlooked your specific focus area. This critical knowledge gap limits specific consequence of the gap and hinders progress toward sustainable textile alternatives. In this paper, we present a novel approach to synthesizing bio-melanin fibers from Streptomyces isolated from acid sulfate soil, a globally abundant and underutilized resource. Fermentation conditions were optimized using a central composite design (CCD) to maximize melanin production. The extracted biopolymer was characterized using UV-Vis, FTIR, SEM, XRD, DSC, TGA, and rheological measurements to elucidate its structure, thermal stability, and processability. Wet-spinning techniques were employed to produce bio-melanin fibers with tunable properties suitable for textile applications. The resulting fibers exhibited a tensile strength of approximately 50 MPa and excellent UV protection (UPF > 50), demonstrating their potential in sustainable fashion and functional fabrics. This research transforms an environmental challenge into a valuable resource, aligning with sustainable development goals (SDGs) and promoting a circular economy in the textile industry.

Abstract: In digital 3D reconstruction of shapes and surface reflectance of ancient paintings and drawings using Photometric Stereo (PS) techniques, normal integration is a key step. However, difficulties in locating light sources, non-Lambertian surfaces, and shadows make the results of this step inaccurate for such artworks. This paper presents a solution for PS to overcome this problem based on some enhancement of the normal integration process and the accurate measurement of Points of Interest (PoIs). The mutual positions of the LED lights, the camera sensor, and the acquisition plane in two custom-designed stands, are measured in laboratory as system calibration of the 3D acquisition workflow. After an introduction to the requirements and critical issues arising from the practical application of PS techniques to artworks, and a description of the newly developed PS solution, the measurement process is explained in detail. Finally, results are presented showing how normal maps and 3D meshes generated using the measured PoIs’ positions, and further minimized using image processing techniques, significantly limits the outliers and improves the visual fidelity of digitized artworks.

Abstract: This work is a continuation of the article (Part 3) written in ArtyHum No. 90, it mixes the Doctoral Thesis of Dr. Mg. Industrial Designer Ibar Federico Anderson (UNLP) called “The Argentine Belle Époque. Art, domestic architecture and furniture design applied to bourgeois interior decoration (1860-1936)”, defended in 2014 at the National University of La Plata; with the Master's Thesis of the University of Palermo by the Architect Gastón Eduardo Girod (University of Buenos Aires) called “The construction of Argentine Creole furniture. Country chairs from San Antonio de Areco, Province of Buenos Aires, in the period 1990-2021”, defended in 2023. It seeks to develop a new Theoretical Framework for what will be the Doctoral Thesis at the University of Palermo of Mg. Arch. Gastón Girod; whose title is “The integration of traditional artisan techniques in the design and production of contemporary Argentine furniture in the period 2000-2023.”Two previous works have already been written in 2022 in co-authorship in the ArtyHum magazine. This work emphasizes the publication: “The Argentine country-style chair. When the theory of Art becomes a theoretical paradigm to explain the typology of the artisanal design of the proto-rationalist country-style (or gaucho-style) chair in the Argentine Republic” (ArtyHum No. 85).

Abstract: Traditional pattern-making depends on the master, time-consuming, waste, limited-flexibility. This study aims to develop innovative solutions，Take Chinese traditional clothing “Hanfu”as an example. By analyzing the data between human body, clothing and sewing patterns, we can find the change rules of the key points and the key lines, forming the design line and the loose rules between sewing pattern and human body. Explore computer-aided design software and artificial intelligence to automatically generate garment sewing patterns that can be used for virtual simulation and production. The results show that input a single two-dimensional image or design manuscript in the Style3D software can quickly get the sewing patterns what designer needed in a few seconds. The experimental results were compared with the quality and speed of traditional pattern-making to optimize the accuracy of auto-generation. This study shows that the automated generation of pattern-making can be greatly improve the work efficiency of clothing production，helped the fashion industry maintain strong competitiveness in the fast-paced and demanding market.

Abstract: This paper examines the transformative potential of generative artificial intelligence (AI) and neuroaesthetic methodologies in archaeology, museum’s collections and art history. It introduces the concept of the AI multiverse, which allows archaeologists and social scientists to construct multiple plausible reconstructions of ancient environments and cultural practices, addressing the inherent uncertainties in archaeological data. Generative AI tools create simulations and visualizations that redefine traditional archaeological frameworks by incorporating multivocal and dynamic interpretations. The study also integrates visual thinking strategies (VTS), eye tracking and saliency map analyses to investigate how structured observation enhances cognitive and emotional engagement with visual artifacts. A case study involving the painting My Mother, She Fell From the Sky highlights the impact of VTS on guiding viewers' gaze and improving interpretive depth, as evidenced by heatmaps and saliency distribution.

Abstract: At the end of the Qing Dynasty and the beginning of the Republic of China, the Jishang (China Hebei Businessman) money stamps played an important role in economic activities, and at the same time carried deep cultural connotations and symbols of faith. The design incorporates traditional elements, contains expressions of psychosocial needs and religious beliefs, and reflects the unique understanding of power, well-being and cultural values at that time. In this paper, we use the method of iconography to place the Jishang money stamps in a specific historical and cultural context, and explore the compositional factors and cultural roots of their design from the three levels of form, content and symbolism. It is found that while carrying decorative functions, the design of money stamps also maps the profound influence of social concepts and belief systems on commercial culture. It is hoped that this study will provide new perspectives for exploring the artistic value and cultural significance of money stamp motifs.

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This paper explores the core concepts of Lv Shuxiang's views on cultural inheritance and innovation. It examines the application of his ideas to the preservation and innovation of She silver jewelry culture. In this study, the unique role of She silver ornaments in cultural inheritance is thoroughly discussed. This paper explains how his ideas guide the creative design of She silver ornaments to harmoniously blend tradition and modernity, demonstrating their practical application. The results indicate that his ideas are significant for both the innovation of She silver jewelry and the broader inheritance and innovation of Chinese culture, forming an important part of China's cultural heritage and innovation efforts.

Abstract: Traditional settlements in tropical rainforest regions exemplify harmonious coexistence between humans and nature through their ecological and cultural characteristics. The Li ethnic group settlements in Hainan, China, serve as a prominent example, where their architecture and lifestyle demonstrate a profound adaptation to the tropical rainforest ecosystem. Despite this, global research on traditional ethnic minority settlements in tropical rainforest regions has largely concentrated on natural conditions and distribution patterns, with insufficient attention paid to the design elements of spatial morphology. This study focuses on the Li settlements within Hainan Tropical Rainforest National Park, utilizing field surveys, literature analysis, and questionnaire studies to identify the key design elements of environmental spaces in these settlements. It further explores how the interaction between cultural and ecological factors influences the construction of settlement spaces. By doing so, the research aims to provide a valuable reference for the protection of traditional settlements in tropical rainforest regions globally and underscore the significant role of ethnic minority settlements in preserving cultural heritage and promoting ecological conservation.

Abstract: Nawal El Saadawi’s groundbreaking novel Two Women in One presents the arduous journey of Bahiah Shaheen, an 18-year-old medical student, as she navigates the complex terrain of self-discovery and self-assertion within the confines of a patriarchal Egyptian society. This comprehensive research paper offers a meticulous textual analysis of Bahiah’s quest for self-realization, illuminating the nuances of El Saadawi’s feminist agenda and the universal struggle of women to forge autonomous identities. Grounded in feminist literary criticism and relevant theoretical frameworks, the study examines Bahiah’s confrontations with patriarchal authority, societal gender norms, and familial expectations. The analysis situates the narrative within the socio-political context of post-colonial Egypt, underscoring the intersections of gender, culture, and national identity. Through a close reading of the text, the paper explores Bahiah’s evolving self-awareness and her interactions with the “other,” highlighting the complexities of female identity formation. The protagonist’s defiant acts of resistance, culminating in her dramatic desertion of an arranged marriage, are analyzed as powerful symbols of her refusal to be subjugated by the patriarchal order. This comprehensive analysis contributes to the scholarly discourse on Nawal El Saadawi’s feminist literature, inviting further exploration of the emancipatory potential of her narratives and their relevance to contemporary feminist movements.

Abstract: This research, situated in the geographical and historical context of the Tangut and East Java, uncovers a significant aspect of the evolution of Buddhist art styles. A thangka of the goddess Vajravārāhī found in Khara Khoto, dated to the late 12th century, shows the bodhisattva decorated with a pearl-chain girdle and upper armbands. This form of pearl-chain jewellery, which appears on Vajravārāhī and other Sino-Tibetan style bodhisattvas, also appears on three stone statues of the goddess Prajñāpāramitā in East Java, all of which depict a near identical use of this pearl-chain ornamentation, as well as on a statue of Prajñāpāramitā at the Muara Jambi Buddhist site in Sumatra. Maritime trade between the regions of China and Java was extensive. The commonality of such motifs in China and Java may highlight a convergence of cultural forces and perhaps shared styles originating from the maritime realm and traded via the maritime routes. However, a direct or indirect influence of Sino-Tibetan styles on thangka paintings featuring this depiction of the jewellery perhaps occurred following dynamics of north-south exchange, highlighting the interrelated links along the maritime and overland routes through the Pāla Buddhist kingdom in eastern India. Thus, I propose that the connection between the Vajravārāhī and the other Tibetan thangka paintings was inspired by northeast Indian influence from the Hexi corridor, eventually reaching East Java.

Abstract: In recent decades,museums have evolved from traditional knowledgerepositories to dynamic educational communication spaces.Whileinteractive facilities have become crucial tools for museum educationalcommunication,their effectiveness in knowledge dissemination remainsdebated among scholars and practitioners.This study explores how to optimize educational communication bydeveloping a theoretically grounded framework across three commonmuseum types:Art Museums,History Museums,and Science Museums.Based on their respective emphases on art perception,historical concepttransmission,and scientific experience provision,this paper appliesspecific theories-Experiential Learning Theory,Storytelling&NarrativeTheory,and Multiple Intelligence Theory to develop systematicguidelines for their interactive facilities design and provides threeapplications.The educational communication effects of these changes isverified through questionnaires.

Abstract: Despite the growing presence of digital Vtubers in educational settings, there is limited empirical evidence on their effectiveness in language acquisition. In this investigation, we delved into the realm of digital education to assess how the visual fidelity of digital Vtuber avatars affects the acquisition of Mandarin Chinese characters by beginners. Through incorporating a diverse array of digital Vtubers, ranging from simple two-dimensional figures to complex three-dimensional models, we explored the relationship between digital Vtuber design and learner engagement and efficacy. This study employed a randomized tutorial distribution, immediate post-tutorial quizzing, and a realism scoring rubric, with statistical analysis conducted through Pearson correlation. The analysis involving 608 participants, illuminated a clear positive correlation: digital Vtubers with higher levels of realism significantly enhanced learning outcomes, underscoring the importance of visual fidelity in educational content. This research substantiates the educational utility of digital Vtubers and underscores their potential in creating more immersive and effective digital learning environments. The findings advocate for leveraging sophisticated digital Vtubers to foster deeper learner engagement, improve educational achievement, and promote sustainable educational practices, offering insights for the future development of digital learning strategies.

Abstract: This study explores the cultural symbols and design innovation of Taiwanese rice cake molds, known as “Guoyin,” which hold significant cultural and ceremonial value. While previous research has focused on these molds' historical and cultural dimensions, there needs to be more understanding of their contemporary reinterpretation and integration into modern design practices. Employing a qualitative approach, this study utilizes documentary analysis, in-depth interviews with artisans, and case studies to examine the embedded cultural symbols in rice cake molds, their evolution in response to societal changes, and their contemporary reinterpretation in sustainable modern design. The findings reveal that traditional motifs in rice cake molds embody Taiwanese cultural values related to festivals and life rituals, and artisans have adapted these motifs to appeal to modern consumers while maintaining cultural integrity. The study contributes to theories of cultural heritage preservation by demonstrating how traditional crafts can evolve dynamically through adaptation and innovation. It also highlights artisans' challenges in balancing cultural preservation with modern market demands, offering insights into strategies for sustaining this intangible cultural heritage in a contemporary context.

Abstract: A radiocarbon study of a painting that might have been made by Titian or Tintoretto or by their workshops is presented. It could be the lost Titian self-portrait or, more convincingly, the sitter might be the Venetian Andrea Cappello, elected Procuratore de Supra in 1537 AD. The calibrated 14C ages of the painted canvas are 1450-1530 and 1540-1635 AD (2 σ), those of the wooden frame are 1504-1597 and 1616-1657 AD (2 σ). They are also consistent with previous analyses based on scanning macro X-ray fluorescence. These results favor chronology for the painting as having been made in the first half of the 16th century by Titian or his workshop. Indirect evidence suggests that the painting was executed between 1523 and 1528.

Abstract: Natural wood is generally perceived as expensive, while wood-based boards are cheap, but re-search has yet to explain definitively why these two materials receive such disparate evaluations. This study aimed to uncover the reasons behind this phenomenon by proposing an emo-tion-driven approach to material research. We collected 10 types of natural wood and artificial boards as experimental samples and tested 20 subjects' subjective evaluation of the samples and physiological indicators (electroencephalography and electrodermal activity). Through data analysis, we identified the relationships between the subjective and physiological data and the impact of material composition on these data. Specifically, we observed significant correlations between subjective and physiological data; however, no correlation was found between subjective and physiological valence. We also discovered that the components of materials significantly influence participants' subjective and physiological emotions. For example, materials with a rough texture elicited higher positive affectivity than those with a smooth texture, materials with coarse and mixed textures elicited higher positive affectivity than those with fine textures, and the brighter materials evoke more positive emotions in participants. This study revealed how material components influence participants' emotions and, more importantly, analyzed the processing techniques behind these components, providing a theoretical basis for the future development of high-value-added products made from wood-based boards.

Abstract: This article discourses on how the inheritance and innovation in paper-cutting art have taken place through its integration with modern design language. Xuzhou paper-cut is regarded as representative of China's traditional folk art, carrying a rich cultural heritage, but it faces both challenges and opportunities that come with modern society. In the course of reviewing the development history of Xuzhou paper-cutting, the value of Xuzhou paper-cut as intangible cultural heritage was discussed. This paper will seek to find out the possibility of application for Xuzhou paper-cutting in modern design with both qualitative and quantitative methods, including questionnaires and interviews. Successful examples are used in this research to look for evidence that effectively proves traditional paper-cutting combines well with the principles of modern design in developing concepts, artistic expressions, and cultural symbolism. It shows that Xuzhou paper-cutting has a great potential to apply in modern design, and education, exhibitions, and community activities will be also necessary to revive it. On the other hand, traditional craft could adapt to current social needs only when the design language has been innovated. The research brought in new input with regard to integrating traditional culture with modern design from a theoretical and practical point of view, thus serving as an informant for the direction of further research in heritage and design integration.

Abstract: The Qingyang sachet is a traditional handcraft that originates from Qingyang City in Gansu Province. We have observed the resurgence of the Qingyang sachet handcraft known as "Qingyang sachet embroidery". How does this revival demonstrate the incorporation of traditional handicrafts and the principles of sustainable development? The objective of this study is to investigate the possibilities and difficulties associated with the sustainable development of the traditional handcraft known as "Qingyang Sachet". This study utilizes a research approach that combines literature review and field investigation to thoroughly analyze domestic literature on sachet research and traditional handicrafts in international journals. The objective is to examine the cultural inheritance, traditional handicrafts, and sustainable development of Qingyang sachets. Perform a thorough evaluation. Through extensive investigation of both domestic and international literature, it was found that the Qingyang sachet is a traditional craft deeply embedded in the local culture. This craft holds significant historical significance and serves as a symbol of the local community's heritage and emotional expression. The aim of this study is to consolidate the various literature advantages of the traditional handicraft of Qingyang sachet in relation to sustainable development. It also proposes recommendations for future research and implementation of Qingyang sachet, and offers a framework for the sustainable development of other traditional handicrafts.

Abstract: The increasing activism of moderate Muslim groups in promoting religious moderation and countering radicalism has garnered significant scholarly attention. However, there remains a paucity of comprehensive studies exploring the role of education grounded in local cultural practices, such as humor, in this context. This article aims to analyze the utilization of humor-based platforms on social media by moderate Muslim organizations to advance religious moderation and reinforce the portrayal of a tolerant and peaceful Indonesian Islam in virtual public spaces. It argues that humor functions not merely as a vehicle for entertainment but as an effective educational tool capable of de-escalating tensions and conflicts without inciting violence, by employing humorous language. This study employs Virtual Ethnography to observe the online activism of the "Nahdlatul Ulama (NU) Garis Lucu" and "Muhammadiyah Garis Lucu" platforms, particularly in their engagements with similar humor platforms operated by radical Islamic groups. The findings reveal that humor platforms can effectively disseminate discourses on religious moderation while also providing a critique of the religious narratives propagated by radical groups through the use of memes that are both humorous and respectful. Moreover, these platforms have evolved into deliberative public spaces where diverse religious groups can engage in dialogue over various contemporary religious issues. The emergence of these humor platforms has successfully contributed to the representation of Indonesian Islam as witty, inclusive, and fundamentally opposed to radicalism.