The article is dedicated to the role of polychrome solutions of the architectonic order in the concept of the Baroque façade. The ancient principles of designing architectural structures, inherited from the Renaissance were subjected to reinterpretations in order to impart different expressive values. The arrangements of façades, initially balanced or even horizontal, were replaced by ambiguous bivalent compositions. Vertical layouts began to dominate in the Baroque. Appropriately selected polychrome of the elements of the order could emphasize the compositional expression. The relationship between the layout of the polychrome in a given architectural order and the expression of a work of art has been established for quite a long time. However, the generally available data on color schemes of architectural structures in baroque buildings are still not fully organized. The paper analyses examples of Baroque façades preserved in their original state and revalorized in recent years after thorough conservator’s research in the field of architecture and color. The examples are mainly designed in the so-called great order, i.e. pertaining largely to church façades. In the Baroque, the vertical direction of the composition was strongly emphasized by multiplying or applying perspective arrangements of supports, and finally by embattled entablatures. The decisive field of change became the shaping of the coloristic decoration of the entablature – decisions regarding the material and color separation of elements of the frieze above the supports. The uniform color of all vertical elements of the façade structure guaranteed an unambiguous verticality of the composition.

On the example of the Wałbrzych agglomeration housing estates once the most important mining and industrial region in Lower Silesia, this article illustrates the specific significance of the designing of green spaces, including urban layouts, and the issue of protecting unique trees and green spaces in the concepts of estates from the early modernism period after the First World War, in the years 1919-1927. The Wałbrzych housing settlements are crucial due to the fact that they were among the first of their kind, not only in Lower Silesia, but in the whole of the Weimar Republic. The concepts developed during the designing process soon spread beyond the borders of the country. On the basis of literature and source studies it was possible to reconstruct design ideas concerning the composition of green areas in most housing estates in the discussed area. The most interesting were presented, grouped according to the landscape and functional aspects of the use of greenery in housing estates. This made it possible to select specific solutions applied by designers, to indicate sources of inspiration and theoretically developed rules, which both then and now seem to be extremely adequate.

The article is the first attempt to gather information on the beginnings of using green elements in urban compositions in Lower Silesia and border areas, in the former Neumark and Lusatia. It presents Baroque urban arrangements with the use of green ground floors, tree espaliers and avenues, from the earliest ones – occurring in the aftermath of the Thirty Years’ War – and the solutions applied in private municipalities in the Habsburg, Wettin and Hohenzollern states, which were recovering from war damage, to urban developments at the end of that period, in the areas already under Prussian rule and its strict regulations. A comparison with the achievements of Eu-ropean urban planning in this field allows us to trace the paths of inspiration, but also to uncover some innovative achievements.