Preprint Article Version 1 Preserved in Portico This version is not peer-reviewed

Toulouse, the Glorious Athens of the South? Computational Analysis of the Salons des Artistes Meridionaux (1907-1939)

Version 1 : Received: 18 April 2021 / Approved: 20 April 2021 / Online: 20 April 2021 (09:54:35 CEST)

How to cite: Saint-Raymond, L.; Amice, S.; Hadjali, D.; Hassayoun, H.; Jean, P.; Sentuc, J.; Soriano, P.; Videau, M.; Zhao, Y. Toulouse, the Glorious Athens of the South? Computational Analysis of the Salons des Artistes Meridionaux (1907-1939). Preprints 2021, 2021040525. https://doi.org/10.20944/preprints202104.0525.v1 Saint-Raymond, L.; Amice, S.; Hadjali, D.; Hassayoun, H.; Jean, P.; Sentuc, J.; Soriano, P.; Videau, M.; Zhao, Y. Toulouse, the Glorious Athens of the South? Computational Analysis of the Salons des Artistes Meridionaux (1907-1939). Preprints 2021, 2021040525. https://doi.org/10.20944/preprints202104.0525.v1

Abstract

Created in 1905, the Société des Artistes Meridionaux organized annual exhibitions in Toulouse, in order to promote regional arts and (re)created a "Latin" - and modern - style. Based on a corpus of 11,486 artworks exhibited at the SAM between 1907 and 1939, this paper seeks to measure the contours and particularities of the Salons des Artistes Meridionaux, using a computational approach.

Keywords

Toulouse; Artistes Meridionaux; exhibitions; art market; networks; econometrics; quantitative analysis

Subject

Social Sciences, Anthropology

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